A Line in the Sandstone is a new grassroots film that follows a collaboration between activists and highliners to traverse a highline set across a canyon deep in the wilderness of the Denniston Plateau. Under Fast-track, the treasured Denniston Plateau could be torn apart for coal mining - a unique landscape shaped over millions of years reduced to a wasteland in less than a generation. A Line in the Sandstone showcases a bold, suspended act of resistance to demonstrate what is at stake and what it means to stand in defence of it. The screening will include the short documentary film Save Denniston, and Q&A with West Coast members of Forest & Bird.

Captured during her sold-out world tour, BILLIE EILISH - HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D) brings an innovative new concert experience to the big screen from one of the most celebrated and successful artists of her generation. Presented in immersive 3D, the film is directed by Academy Award® winners James Cameron and Billie Eilish, in-theatres NZ May 7, 2026.

Set in contemporary London, Fuze unfolds after an unexploded World War II bomb is unearthed at a busy construction site, forcing a massive citywide evacuation. Amid the escalating tension and chaos, a daring criminal operation is set in motion—one that uses the evacuation as cover for a meticulously planned heist. As authorities race against time to contain the crisis, alliances blur and moral boundaries are crossed, the film deftly propels audiences through a series of calculated twists delivering a wildly entertaining ride.

In “Hoppers,” scientists have discovered how to “hop” human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals! Using the new technology, Mabel (Curda) will uncover mysteries within the animal world that are beyond anything she could have imagined. Produced by Nicole Paradis Grindle, “Hoppers” also features the voices of Bobby Moynihan and Jon Hamm.

The #1 Ladies Night Out, Breaking Records Worldwide Magic Men Australia is taking over the world, breaking attendance records across Australia, New Zealand, Europe, U.S South America and Canada, including over 6,500 screaming ladies at a single Ladies Night. This is global entertainment at its peak. And for the first time, the show presents TikTok and world-famous Instagram superstar Will Parfitt, with a combined following of over 20 million. He’s one of the most recognised male entertainers on social media… and he’s live on stage. Get ready for a night you’ll never forget. Magic Men delivers Australia’s most talented performers, high-energy choreography, jaw-dropping acrobatics, and cheeky crowd interaction, all packaged into a world-class touring production. This isn’t just a show. It’s an experience. Expect: • Record-breaking performances across the globe • Featuring Will Parfitt (20M+ followers) • World-class dance routines • High-energy group numbers + unforgettable solos • Charisma, comedy & crowd interaction • A safe, inclusive, feel-good atmosphere • VIP meet & greet + photo opportunities Whether it’s a hen's night, birthday, girls’ night, or a chance to escape reality, Magic Men delivers a night that’s classy, powerful, and completely unforgettable. Magic Men Australia Where entertainment meets energy and where records keep getting broken. IMPORTANT REMINDERS: The show is 18+

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera

ACT I England, around 1650. Plymouth, a Puritan stronghold, is threatened by siege from the Royalist troops. Distant voices herald the wedding day of Elvira, daughter of Gualtiero, the fortress’s commander. Riccardo enters lamenting that his promised bride, Elvira, loves another man—a Stuart partisan. Her father will not force her to marry against her will, it seems, so Riccardo’s friend Sir Bruno urges him to devote his life to leading the parliamentary forces. Elvira tells her uncle, Giorgio, that she would rather die than marry Riccardo. Her uncle reassures her that he has persuaded her father to let her marry her lover, Arturo. Although Arturo is a Royalist, he is heralded as he approaches the castle. Everyone gathers for the wedding celebration and Arturo greets his bride. He learns that King Charles’s widow, Queen Enrichetta, is a prisoner in the castle and soon to be taken to trial in London. Alone with the queen, Arturo offers to save her even if it means his death. Elvira returns with the bridal veil and capriciously places it over Enrichetta’s head. When he is alone again with the queen, Arturo explains that the veil will provide the perfect disguise for escape from the castle. As they are about to leave, Riccardo stops them, determined to kill his rival. Enrichetta separates them and reveals her identity. Riccardo lets them get away, knowing this will ruin Arturo. The others return for the wedding, and Riccardo tells of Arturo’s escape with Enrichetta. Soldiers rush off in pursuit. Elvira, believing herself betrayed, is overcome by madness. ACT II The townsfolk mourn Elvira’s mental breakdown. Giorgio explains that she continues to long for Arturo. Riccardo arrives to announce that Arturo has been condemned to death by Parliament. The Puritans depart. Elvira wanders in, reliving her happy past. In her madness, she mistakes Riccardo for Arturo and dreams of her wedding. When she leaves, Giorgio tries to convince Riccardo to save Arturo. At first indignant, Riccardo is finally moved to help Elvira, and the two men unite in patriotism: if Arturo returns as a friend, he shall live—if as an armed enemy, he shall die. ACT III In Elvira’s garden, Arturo reveals that love for her has brought him back to Plymouth. He overhears her sing their old love song and is torn between his affection and his loyalty to the Stuarts. Elvira herself appears and Arturo reassures her that she is his only love. Soldiers rush in to arrest Arturo. Just then, a diplomat arrives with the news of the Royalists’ final defeat and a general amnesty for all the offenders. The shock of this news restores Elvira’s senses, and all rejoice in the peace as Elvira and Arturo embrace their new happiness.

ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.

Get ready for a night of world-class musicianship as the New Zealand Army Band presents a one-of-a-kind concert experience. Formed in 1964, the New Zealand Army Band has earned international acclaim for its dynamic performances, versatility and technical brilliance. A regular fixture in the Royal Edinburgh Military Tattoo amongst other global festivals, the band continues to entertain audiences worldwide. In their forthcoming ‘Brass in Concert’ series, their full-force brass band will bring together the energy of traditional brass music-making as well as a selection of other genres for a night of variety and virtuosity. Come and experience the magic of the New Zealand Army Band: Brass in Concert.”

Next to Normal is a 2008 American rock musical with book and lyrics by Brian Yorkey and music by Tom Kitt. The story centers on a mother who struggles with worsening bipolar disorder and the effects that managing her illness has on her family. The musical addresses grief, depression, suicide, drug abuse, loss of a child, ethics in modern psychiatry, and the underbelly of suburban life. SuperBrain are bringing this epic story to life in Greymouth with a live band on stage there is no canned music in this one its a true Musical! With some amazing talent and vocal performances, you don't want to miss out.

Science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone.

There was before you and there was during you. For some reason, I never thought there would be an after you. The literary phenomenon from #1 New York Times bestselling author Colleen Hoover becomes a transformative feature film about motherhood, forgiveness and the power of love to overcome even the worst mistake. After a perfect outing with her boyfriend, Kenna (Maika Monroe; The Hand that Rocks the Cradle, Longlegs) makes an unbearable mistake that sends her to prison. Seven years later, Kenna returns to her hometown in Wyoming, hoping to rebuild her life and earn the chance to reunite with her young daughter, Diem, whom she has never known. When Diem’s custodial grandparents adamantly refuse Kenna’s attempts to see her daughter, Kenna discovers unexpected compassion, and then something truer and deeper, with former NFL player and local bar owner Ledger (Tyriq Withers; HIM, I Know What You Did Last Summer). As their secret romance develops, so do the dangers for both of them, leading Kenna toward heartbreak and, ultimately, the hope for a second chance. The film’s cast includes screen legends Lauren Graham (Gilmore Girls, Zoey’s Extraordinary Playlist) and three-time Emmy winner Bradley Whitford (Get Out, The Handmaid’s Tale) as Diem’s grandparents, Grace and Patrick; Rudy Pankow (Outer Banks, Uncharted) as Scotty, Diem’s father; and Grammy winner and country music sensation Lainey Wilson (Yellowstone) as Kenna’s friend and coworker, Amy. The supporting cast includes Jennifer Robertson (Schitt’s Creek) as Kenna’s landlord; Zoe Kosovic (The Smashing Machine) as Kenna’s daughter; Hilary Jardine (Holidazed) and Nicholas Duvernay (The White Lotus) as Ledger’s bar team; and, in her screen debut, Monika Myers as Kenna’s neighbor, Lady Diana. Leading an all-female filmmaking team, Vanessa Caswill (Love at First Sight, Little Women mini-series) directs Reminders of Him from a screenplay by Colleen Hoover and Lauren Levine, based on Hoover’s novel. The film is produced by Colleen Hoover (exec producer It Ends with Us, Regretting You), Lauren Levine (Bridge to Terabithia, exec producer, Confess series) and Gina Matthews (Isn’t it Romantic, 13 Going on 30), and is executive produced by Robin Mulcahy Fisichella. Universal Pictures presents a Heartbones Entertainment and Little Engine production: Reminders of Him. First published in 2022, Reminders of Him has sold more than 6 million copies in the United States and has been translated into 45 languages. Hoover is the bestselling author of numerous blockbuster novels, including It Ends with Us, It Starts with Us, Layla, Heart Bones, Confess and Verity.

Left at the altar in Rome, a heartbroken man chooses to go on his honeymoon alone. As he navigates the city meant for two, he begins a bittersweet journey of self-discovery.

The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin (Pedro Pascal) and his young apprentice Grogu. Directed by Jon Favreau, “The Mandalorian and Grogu” also stars Sigourney Weaver and is produced by Jon Favreau, Kathleen Kennedy, Dave Filoni, and Ian Bryce, with music composed by Ludwig Göransson.

High school outcast Taylah Simpkins is certain that the upcoming Debutante Ball ‘the Deb,’ is her one chance to redefine herself and become the popular girl once and for all. When her cynical cousin from the city, Maeve is sent to Taylah’s small farm town as punishment, she thinks the ball is a farce and immediately tries to disrupt the status quo. In their search for the spotlight, Taylah and Maeve dig deep to find self-acceptance – and a date to the Deb.

Almost twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film. “The Devil Wears Prada 2” is produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and McKenna. The film debuts exclusively in cinemas April 30, 2026.

THE MAGIC FARAWAY TREE follows Polly and Tim and their children Beth, Joe and Fran – a modern family who find themselves forced to relocate to the remote English countryside. Soon after the family’s arrival in the countryside, the children discover a magical tree and its extraordinary and eccentric residents including treasured characters Moonface, Silky, Dame Washalot and Saucepan Man. At the top of the tree, they are transported to spectacular and fantastical lands and, through the joys and challenges of their adventures, the family learn to reconnect and value each other for the first time in years.

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.