R13Violence, offensive language & sexual themes.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
RRestricted to persons over 16 years of age unless accompanied by a parent or guardian.
Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker.
Post-apocalyptic surrealist black comedy about the landlord of an apartment building who occasionally prepares a delicacy for his odd tenants.
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.
Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.
Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.
Director Phil Grabsky secured privileged access to craft this cinematic celebration of a 21st century master of creativity.
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second 'World Festival of Film and the Arts' in 1949, organized in part by the royal cinematheque of Belgium. To celebrate cinema's 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,... The side program would soon become a festival in its own right: 'EXPRMNTL', dedicated to experimental cinema, and would become a mythical gathering of the avant-garde...
EXPRMNTL knew only five editions, in 1949, 1958, 1963, 1967 and 1974 but those five editions became known as the most legendary of all experimental film festivals.
The documentary 'EXPRMNTL' tells the story of experimental film through the history of this festival, a history which tells us how we came to understand what we watch, a history which questions the very nature of film and how a big part of how we understand our world relies on the very nature of moving images.
Filmmaker David Sieveking portays the home care of his mother who, like 2 million other people in Germany, suffers from Alzheimer's Disease. David's parents had been a part of the student movement in the sixties and led an open relationship, which is now put to the test dramatically by the disease. The whole family has to deal with the smoldering conflicts to find a new solidarity.
Inspired by a search for truth and the potential for fame, a young vegetable-seller from Hunan province challenges the boundaries of free speech by reporting on censored news stories in cities throughout China. And from the bustling streets of Beijing, a middle-aged writer sets off to make sense of his past by riding his bicycle across the mainland, documenting the struggles of villagers deep within China's countryside. Armed with laptops, cell phones and digital cameras, Zola and Tiger Temple travel the country as independent one-man news stations while learning to navigate China's evolving censorship regulations and avoiding the risk of political persecution. High Tech, Low Life captures the untold story of these citizen reporters and the achievements of a fearless new digital generation.
PGViolence & coarse language
ISLE OF DOGS tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbagedump called Trash island, Atari sets off alone in a miniature Junior-Turbo prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly found mongrel friends, he begins and epic journey that will decide the fate and future of the entire Prefecture.
Filmed in 1973 over the course of a three-night stand at New York City's Madison Square Garden, this concert film shows Led Zeppelin at the apogee of their hard-rocking glory. In addition to featuring such indelible hits as "Dazed and Confused," "Whole Lotta Love" and "Stairway to Heaven," the live footage is interspersed with elaborate fantasy sequences, backstage shenanigans and a glimpse of what the business side of such a large touring operation entails.
A random act of violence leaves eight people in crisis, searching for hope and new beginnings, as the Matariki constellation (Maori New Year) rises in the Southern skies.
Mr. Turner explores the last quarter century of the great if eccentric British painter J.M.W. Turner (1775-1851). Profoundly affected by the death of his father, loved by a housekeeper he takes for granted and occasionally exploits sexually, he forms a close relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies. Throughout this, he travels, paints, stays with the country aristocracy, visits brothels, is a popular if anarchic member of the Royal Academy of Arts, has himself strapped to the mast of a ship so that he can paint a snowstorm, and is both celebrated and reviled by the public and by royalty.
Jim Jarmusch's low-tech tribute to the 30-year-old collaboration between grunge godfather Neil Young and his favorite garage band, Crazy Horse, is both a quirky little movie and a monument to one of rock & roll's greatest noisemakers.
US, 1997, Black and White/Colour, 106min., Rated M, Dir. Jim Jarmusch
A young musician, tormented by an abusive situation at home, must contend with a rival singer, a burgeoning romance, and his own dissatisfied band, as his star begins to rise.
A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
R16Violence, Sexual References and offensive language
The one-liners fly as fast as political fortunes fall in this uproarious, wickedly irreverent satire from Armando Iannucci (Veep, In the Loop). Moscow, 1953: when tyrannical dictator Joseph Stalin drops dead, his parasitic cronies square off in a frantic power struggle to be the next Soviet leader. Among the contenders are the dweeby Georgy Malenkov (Jeffrey Tambor), the wily Nikita Khrushchev (Steve Buscemi), and the sadistic secret police chief Lavrentiy Beria (Simon Russell Beale). But as they bumble, brawl, and backstab their way to the top, just who is running the government? Combining palace intrigue with rapid-fire farce, this audacious comedy is a bitingly funny takedown of bureaucratic dysfunction performed to the hilt by a sparkling ensemble cast.