ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 “Bolero is a film concealing a muted pain under its traditional appearance...” - CINEUROPA Every 15 minutes, someone somewhere in the world plays Ravel's "Bolero" – it's a legacy its artist could never have imagined. Renowned composer Maurice Ravel (Raphaël Personnaz) is haunted by self-doubt and melancholy. Commissioned by eccentric and magnanimous Russian dancer Ida Rubenstein (César-winning Jeanne Balibar), he must compose a carnal, rapturous fanfare for her latest ballet. Blocked creatively and cast aside by his peers, Ravel turns to his closest friends for inspiration – pianist Marguerite Long (Emmanuelle Devos, Masquerade), his friend Cipa (Vincent Perez) and Cipa's sister Misia (Doria Tillier), whom he hopelessly adores. Set against the decadent, industrialised Paris of the 1920s, "Bolero" demands that Ravel draw on the essence of sound itself to redeem his raw genius, or risk being consumed by it completely. A tribute to the timelessness of the composer’s haunting masterpiece, Bolero, writer-director Anne Fontaine takes us on a deconstructed, elliptical journey through the idiosyncratic life of Maurice Ravel, via his struggle to complete that 17-minute piece of music. Premiering at the International Film Festival in Rotterdam, BOLERO is a celebration of a classical genius.

ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 “Under the guise of a jubilant police comedy that alternates between hilarious and gently nerve-wracking, Franck Dubosc delivers a scathing allegory of our ruthless modern societies.” - MONDOCINÉ A freak run-in with a black bear drives Michel (Franck Dubosc) off the road one wintry Christmas Eve, leading to the deaths of two strangers. Instead of reporting the accident, he panics and flees. His long-suffering wife Cathy (Laure Calamy, Antoinette in the Cevennes), an ardent fan of crime novels, points out the obvious: with his prints all over the deceased’s car, suspicion will fall on him – and they can’t afford bail. When they discover two million euros and a gun on the bodies, their situation takes a dangerous turn. As another body surfaces, Michel and Cathy will stop at nothing to avoid suspicion, even if it means burying themselves in an avalanche of lies. Franck Dubosc’s black comedy, HOW TO MAKE A KILLING, is a journey full of twists where nothing is as it seems. As Michel and Cathy navigate ethical dilemmas and increasingly absurd situations, the feckless small-town gendarmes inch closer. But what if they’re closer to the sharp detectives in Cathy’s crime novels than they first appear? Leading from one improbable instance to another – and with bears technically non-existent in the Jura – how far will Michel and Cathy go to clear their names?

ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 Featuring a fantastic ensemble cast, the charming new dramedy by Blandine Lenoir follows a young woman’s efforts to reconnect to herself and her family during an unexpectedly eventful trip home. When 35-year-old Juliette (Izïa Higelin, La Belle Saison), a children’s book illustrator, returns to her country village to spend some downtime with her loved ones, what she encounters is anything but low-key. Her harried elder sister Marylou (Sophie Guillemin, in a scene-stealing turn) is carrying on a “ one-day-a-week " affair with a man from the costume shop, her grandmother is becoming frailer by the day, and her long-separated parents are feuding – he (Jean-Pierre Darroussin) is kind but emotionally distant, she (Noémie Lvovsky) is wildly-revelling in the second act of her life as a single woman. As buried memories and long-held secrets stir to the surface, Juliette must grapple with how to remain connected to the fractured family’s story, and reclaim her own identity. Based on a graphic novel by Camille Jourdy (whose work formed the basis for the equally-winning hit Rosalie Blum), Lenoir’s gorgeous film finds pathos and humour in even the worst behaviours of her richly captured protagonists. JULIETTE is a gem to be treasured.

ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 “Surrounded by two perfect young actors, Charlotte Gainsbourg and José Garcia are magnificent.” In the tradition of on-the-road dramatic comedies like Little Miss Sunshine, MEET THE LEROYS is the moving story of the veneer we paint over lost connections and a reminder that even the brightest bonds, like stars, can fade, despite our best intentions. Sandrine Leroy (Charlotte Gainsbourg, My Dog Stupid) is bitterly unhappy. When she announces her intention to divorce her husband, Christophe (José Garcia), he is left reeling. With Sandrine set on separation and their children feigning ambivalence, Christophe has only one thing left up his sleeve: a surprise, nostalgic road trip weekend with the entire family. The deal? If Sandrine doesn't change her mind by the end of the trip, he'll let her go. But is one weekend enough to overcome years of stale marriage? And how can they rekindle the passion that once consumed them? Directed by Florent Bernard, MEET THE LEROYS won the Grand Prix at the Alpe d'Huez Film Festival for its sincere depiction of a family in crisis. Inspired by Bernard's own experience of his parents’ divorce and shot in Burgundy where he grew up, the film is a bittersweet exploration of the things we lose without realising.

ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 OPENING NIGHT FILM “A superb and powerful tribute.”- PUBLIC Just as Marion Cotillard was to La Vie en Rose, Golden Globe-nominated actor Tahar Rahim is to MONSIEUR AZNAVOUR, transforming into the iconic singer/songwriter for this lavishly entertaining rise-to-stardom biography of the man who beat all odds to not only become one of France’s best-loved entertainers, but personified French culture to the rest of the world. Born in Paris in 1924 as the son of Armenian refugees, Charles Aznavour’s formative years are spent in poverty, but distinguished by his parents’ passion for music and theatre. Ridiculed for his short stature and raspy tenor voice – traits he would in time fully embrace – Aznavour’s early attempts at a showbiz career during the Occupation falter. Whilst gifted, his material finds more success in the hands of others, including his friend Pierre (Bastien Bouillon), and later the imperious Edith Piaf (a scene-stealing Marie-Julie Baup), who becomes a highly influential mentor and supporter. But by the 1950s, Aznavour finally realises his own ambitions; his empathetic ‘chansonsʼ about the heartbreaks, confusions and passions of the common man (mining the dramas of his own life) catapult him to global attention. Led by its starʼs astonishing performance and stunning vocal prowess, MONSIEUR AZNAVOUR is a true tour de force – as intimate as it is spectacular – and serves as a triumphant reminder of the power and impact of music. Don’t miss one of France’s biggest hits of the year.

ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 “A heartfelt narrative that blends humor and poignancy… truly memorable and feel-good.”- NEXT BEST PICTURE A sensation at Cannes and one of Franceʼs biggest box office and audience favourites of the year (achieving over two million admissions and entry into the top five of 2024), writer/director Emmanuel Courcol's wildly entertaining new film follows two very different siblings separated by fate and reunited by their love of music. Thibaut (the exceptional Benjamin Lavernhe, Delicious, C’est la vie!) is a beloved and internationally celebrated orchestra conductor who travels the globe. When a health crisis and subsequent DNA test inadvertently reveals he was adopted as an infant, Thibaut discovers the existence of a younger brother, Jimmy (rising star Pierre Lottin), who lives in more modest circumstances; he works in a school cafeteria, cares for his mother and plays the trombone in a community brass band. The pair seem to have little else in common other than a love of performance, but sensing his sibling’s exceptional talent, Thibaut decides to remedy the injustice of fate and try to help nurture his brother’s untapped gifts. An eruptive crowd favourite wherever it has premiered (notably receiving the highest audience score in the 51-year history of the San Sebastian Film Festival), MY BROTHER’S BAND is a rousing, feel-great trip to the cinema, expertly striking the perfect harmony between laughter and tears. Bring your family, your friends, and some tissues.

ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2025: April 11-13 “Shines the spotlight on a figure as eccentric as she was visionary, still regarded today as a legend of world theater.”- SORTIR À PARIS Sumptuous, rapturous, and full of drama, Sarah Bernhardt’s life is here to be experienced in all its theatrical glory – just as La Divine intended. Sarah Bernhardt (Sandrine Kiberlain, November) is larger than life and a cyclone of contradictions. The original theatre diva, her world is blinding stage lights, opulent wealth, and delicious scandals. Ruled by fleeting fancies and sweeping emotions, she even holds court from her sickbed. And what better time to revisit her groundbreaking 19th-century stardom than in recovery from surgery? Guillaume Nicloux’s decadent biopic is an experience like no other: from exotic menageries to consuming affairs, La Divine is as showstopping as she is capricious. Patron to Alphonse Mucha, friend to Victor Hugo, and “little star” to Alexandre Dumas, Sarah Bernhardt defied societal expectations, adored dramatic death scenes and scandalised her convent with a lizard’s funeral. Nicloux’s film vividly recounts Bernhardt’s tempestuous story and is a dazzling chronicle of a chameleonic actress who defined her generation. Uncover the life of the world’s first celebrity in THE DIVINE SARAH BERNHARDT.

Becoming Led Zeppelin, a documentary that dives into the rise of the epochal rock group, has been completed. It is the only documentary of its kind that the band themselves have participated in. The documentary, which was first announced in 2019, includes new interviews with Jimmy Page, Robert Plant and John Paul Jones, as well as rare archival interviews with the band's late drummer John Bonham.

Bendigo Chorale fundraiser. A film of joy and wonder, EVERY LITTLE THING offers profound truths in a deceptively simple story. What does it mean to care for another, and what impact does this act have on us? In tending to these fragile yet resilient hummingbirds, Terry Masear finds a sense of healing from her own past. Her diminutive patients — brought into sharp focus through breathtaking, beautifully detailed photography — become memorable protagonists in their own right. The viewer becomes emotionally invested in Cactus, Jimmy, Wasabi, Alexa, and Mikhail, celebrating their small victories and lamenting their tiny tragedies. The compassion and empathy that Masear shows her Lilliputian charges serves as a lesson to us all — a reminder that in the smallest of acts, and in the tiniest of creatures, we might find grace.

Bendigo East Baseball Club - Juniors fundraiser. The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as his home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.

Bendigo Historical Society fundraiser. Starring Oscar nominee Steve Coogan, this poignant dramedy from director Peter Cattaneo follows an Englishman’s personal and political awakening after he adopts a penguin during a cataclysmic period in Argentine history.

Blue Ribbon Foundation Bendigo fundraiser. Two-time Academy Award® winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre. Bridget Jones first blasted onto bookshelves in Helen Fielding’s literary phenomenon Bridget Jones’s Diary, which became a global bestseller and a blockbuster film. As a single career woman living in London, Bridget Jones not only introduced the world to her romantic adventures, but added “Singletons,” “Smug-Marrieds” and “f---wittage” into the global lexicon. Bridget’s ability to triumph despite adversity led her to finally marry top lawyer Mark Darcy and to become the mother of their baby boy. Happiness at last. But in Bridget Jones: Mad About the Boy, Bridget is alone once again, widowed four years ago, when Mark (Oscar® winner Colin Firth) was killed on a humanitarian mission in the Sudan. She’s now a single mother to 9-year-old Billy and 4-year-old Mabel, and is stuck in a state of emotional limbo, raising her children with help from her loyal friends and even her former lover, Daniel Cleaver (Hugh Grant). Pressured by her Urban Family —Shazzer, Jude and Tom, her work colleague Miranda, her mother, and her gynecologist Dr. Rawlings (Oscar® winner Emma Thompson) — to forge a new path toward life and love, Bridget goes back to work and even tries out the dating apps, where she’s soon pursued by a dreamy and enthusiastic younger man (White Lotus’s Leo Woodall). Now juggling work, home and romance, Bridget grapples with the judgment of the perfect mums at school, worries about Billy as he struggles with the absence of his father, and engages in a series of awkward interactions with her son’s rational-to-a-fault science teacher (Oscar® nominee Chiwetel Ejiofor). The returning cast includes Oscar® winner Jim Broadbent and BAFTA winner Gemma Jones as Bridget’s parents and, as a new character, Isla Fisher (Now You See Me, The Great Gatsby) as Rebecca, Bridget’s neighbor. Bridget Jones: Mad About the Boy is directed by acclaimed filmmaker Michael Morris (To Leslie, Better Call Saul), from a screenplay by BAFTA nominee Helen Fielding, based on her novel, with contributions from Emmy winner Abi Morgan (The Iron Lady, Eric) and Oscar® nominee Dan Mazer (I Give it A Year, Bridget Jones’s Baby). The film is produced for Working Title by Tim Bevan and Eric Fellner, whose films, including The Danish Girl, Darkest Hour, Fargo, Les Misérables and The Theory of Everything, among others, have earned 14 Academy Awards® and six Best Picture nominations. The film is also produced by Jo Wallett (Wicked Little Letters, Catherine Called Birdy). The film is executive produced by Helen Fielding, Renée Zellweger, Amelia Granger and Sarah-Jane Wright. Working Title has produced all the Bridget Jones films. Universal Pictures and StudioCanal and Miramax present a Working Title production, Bridget Jones: Mad About the Boy. The film will be released in theaters internationally by Universal Pictures and will stream exclusively on Peacock in the U.S. The three previous Bridget Jones films—Bridget Jones’s Diary (2001), Bridget Jones: The Edge of Reason (2004) and Bridget Jones’s Baby (2016)—have earned more than $800 million worldwide.

Two-time Academy Award® winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre. Bridget Jones first blasted onto bookshelves in Helen Fielding’s literary phenomenon Bridget Jones’s Diary, which became a global bestseller and a blockbuster film. As a single career woman living in London, Bridget Jones not only introduced the world to her romantic adventures, but added “Singletons,” “Smug-Marrieds” and “f---wittage” into the global lexicon. Bridget’s ability to triumph despite adversity led her to finally marry top lawyer Mark Darcy and to become the mother of their baby boy. Happiness at last. But in Bridget Jones: Mad About the Boy, Bridget is alone once again, widowed four years ago, when Mark (Oscar® winner Colin Firth) was killed on a humanitarian mission in the Sudan. She’s now a single mother to 9-year-old Billy and 4-year-old Mabel, and is stuck in a state of emotional limbo, raising her children with help from her loyal friends and even her former lover, Daniel Cleaver (Hugh Grant). Pressured by her Urban Family —Shazzer, Jude and Tom, her work colleague Miranda, her mother, and her gynecologist Dr. Rawlings (Oscar® winner Emma Thompson) — to forge a new path toward life and love, Bridget goes back to work and even tries out the dating apps, where she’s soon pursued by a dreamy and enthusiastic younger man (White Lotus’s Leo Woodall). Now juggling work, home and romance, Bridget grapples with the judgment of the perfect mums at school, worries about Billy as he struggles with the absence of his father, and engages in a series of awkward interactions with her son’s rational-to-a-fault science teacher (Oscar® nominee Chiwetel Ejiofor). The returning cast includes Oscar® winner Jim Broadbent and BAFTA winner Gemma Jones as Bridget’s parents and, as a new character, Isla Fisher (Now You See Me, The Great Gatsby) as Rebecca, Bridget’s neighbor. Bridget Jones: Mad About the Boy is directed by acclaimed filmmaker Michael Morris (To Leslie, Better Call Saul), from a screenplay by BAFTA nominee Helen Fielding, based on her novel, with contributions from Emmy winner Abi Morgan (The Iron Lady, Eric) and Oscar® nominee Dan Mazer (I Give it A Year, Bridget Jones’s Baby). The film is produced for Working Title by Tim Bevan and Eric Fellner, whose films, including The Danish Girl, Darkest Hour, Fargo, Les Misérables and The Theory of Everything, among others, have earned 14 Academy Awards® and six Best Picture nominations. The film is also produced by Jo Wallett (Wicked Little Letters, Catherine Called Birdy). The film is executive produced by Helen Fielding, Renée Zellweger, Amelia Granger and Sarah-Jane Wright. Working Title has produced all the Bridget Jones films. Universal Pictures and StudioCanal and Miramax present a Working Title production, Bridget Jones: Mad About the Boy. The film will be released in theaters internationally by Universal Pictures and will stream exclusively on Peacock in the U.S. The three previous Bridget Jones films—Bridget Jones’s Diary (2001), Bridget Jones: The Edge of Reason (2004) and Bridget Jones’s Baby (2016)—have earned more than $800 million worldwide.

DAHLIA & ARTS FESTIVAL CLOSING NIGHT: FREE ENTRY (seating is unallocated) Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel's family history. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in New Zealand cinemas on December 26, 2017.

A film of joy and wonder, EVERY LITTLE THING offers profound truths in a deceptively simple story. What does it mean to care for another, and what impact does this act have on us? In tending to these fragile yet resilient hummingbirds, Terry Masear finds a sense of healing from her own past. Her diminutive patients — brought into sharp focus through breathtaking, beautifully detailed photography — become memorable protagonists in their own right. The viewer becomes emotionally invested in Cactus, Jimmy, Wasabi, Alexa, and Mikhail, celebrating their small victories and lamenting their tiny tragedies. The compassion and empathy that Masear shows her Lilliputian charges serves as a lesson to us all — a reminder that in the smallest of acts, and in the tiniest of creatures, we might find grace.

When Iowa farmer Ray (Kevin Costner) hears a mysterious voice one night in his cornfield saying "If you build it, he will come," he feels the need to act. Despite taunts of lunacy, Ray builds a baseball diamond on his land, supported by his wife, Annie. Afterward, the ghosts of great players start emerging from the crops to play ball, led by "Shoeless" Joe Jackson. But, as Ray learns, this field of dreams is about much more than bringing former baseball greats out to play.

This is the true story of Frida Kahlo (Salma Hayek) and her husband Diego Rivera (Alfred Molina), the larger-than-life painters who became the most acclaimed artists in Mexican history. Their tempestuous love affair, landmark journeys to America, and outrageous personalities made them legendary.

The film highlights the two sides of Frida Kahlo’s spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship. With Asia Argento as narrator, the two faces of the artist will be revealed, by pursuing a common thread consisting of Frida’s own words: letters, diaries and private confessions. The film alternates interviews, with original documents, captivating reconstructions and Frida Kahlo’s own paintings, kept in some of the most amazing museums in Mexico.

Gibson St Nursing Homes Auxiliary fundraiser. Two-time Academy Award® winner Renée Zellweger returns to the role that established a romantic-comedy heroine for the ages, a woman whose inimitable approach to life and love redefined an entire film genre. Bridget Jones first blasted onto bookshelves in Helen Fielding’s literary phenomenon Bridget Jones’s Diary, which became a global bestseller and a blockbuster film. As a single career woman living in London, Bridget Jones not only introduced the world to her romantic adventures, but added “Singletons,” “Smug-Marrieds” and “f---wittage” into the global lexicon. Bridget’s ability to triumph despite adversity led her to finally marry top lawyer Mark Darcy and to become the mother of their baby boy. Happiness at last. But in Bridget Jones: Mad About the Boy, Bridget is alone once again, widowed four years ago, when Mark (Oscar® winner Colin Firth) was killed on a humanitarian mission in the Sudan. She’s now a single mother to 9-year-old Billy and 4-year-old Mabel, and is stuck in a state of emotional limbo, raising her children with help from her loyal friends and even her former lover, Daniel Cleaver (Hugh Grant). Pressured by her Urban Family —Shazzer, Jude and Tom, her work colleague Miranda, her mother, and her gynecologist Dr. Rawlings (Oscar® winner Emma Thompson) — to forge a new path toward life and love, Bridget goes back to work and even tries out the dating apps, where she’s soon pursued by a dreamy and enthusiastic younger man (White Lotus’s Leo Woodall). Now juggling work, home and romance, Bridget grapples with the judgment of the perfect mums at school, worries about Billy as he struggles with the absence of his father, and engages in a series of awkward interactions with her son’s rational-to-a-fault science teacher (Oscar® nominee Chiwetel Ejiofor). The returning cast includes Oscar® winner Jim Broadbent and BAFTA winner Gemma Jones as Bridget’s parents and, as a new character, Isla Fisher (Now You See Me, The Great Gatsby) as Rebecca, Bridget’s neighbor. Bridget Jones: Mad About the Boy is directed by acclaimed filmmaker Michael Morris (To Leslie, Better Call Saul), from a screenplay by BAFTA nominee Helen Fielding, based on her novel, with contributions from Emmy winner Abi Morgan (The Iron Lady, Eric) and Oscar® nominee Dan Mazer (I Give it A Year, Bridget Jones’s Baby). The film is produced for Working Title by Tim Bevan and Eric Fellner, whose films, including The Danish Girl, Darkest Hour, Fargo, Les Misérables and The Theory of Everything, among others, have earned 14 Academy Awards® and six Best Picture nominations. The film is also produced by Jo Wallett (Wicked Little Letters, Catherine Called Birdy). The film is executive produced by Helen Fielding, Renée Zellweger, Amelia Granger and Sarah-Jane Wright. Working Title has produced all the Bridget Jones films. Universal Pictures and StudioCanal and Miramax present a Working Title production, Bridget Jones: Mad About the Boy. The film will be released in theaters internationally by Universal Pictures and will stream exclusively on Peacock in the U.S. The three previous Bridget Jones films—Bridget Jones’s Diary (2001), Bridget Jones: The Edge of Reason (2004) and Bridget Jones’s Baby (2016)—have earned more than $800 million worldwide.

A young man is transferred from juvenile to adult prison, where he is taken under the wing of both Australia’s most despised criminal, and a soon-to-be-a-paroled inmate. A paternal triangle grows between them, suggesting that even the worst of men may have a little bit of good inside them — that will be their eventual undoing.

Pulls back the curtain on the mythical world of Laurel Canyon in Los Angeles, providing an up-close look at the lives of the musicians who inhabited it. The neighbourhood became a tangled nest of creativity that housed rising artists including Joni Mitchell, Carole King, Frank Zappa, James Taylor, Jackson Browne and members of Crosby, Stills, Nash & Young, the Doors, the Mamas & the Papas, the Monkees, Love, the Eagles, Linda Ronstadt and dozens of other soon-to-be-famous artists.

Crocodile Dundee burst onto global screens, and into the hearts of millions, nearly 40 years ago, and remains Australia’s most successful film ever. What were the magic ingredients that contributed to this cultural icon? And why does it still mean so much to so many? The 4K restoration of the film led to the discovery of precious material in the archives of John Cornell, the co-creator of Crocodile Dundee, and the late husband of Australia’s beloved Delvene Delaney. Inspired to share this treasure trove, Delvene invites you to an intimate glimpse into the compelling combination of chemistry, collaboration and courage inherent in this incredible film. LOVE OF AN ICON: THE LEGEND OF CROCODILE DUNDEE, unravels the many layers, stories and characters that are at the heart of CROCODILE DUNDEE. So much more than a ‘making of, this rich tapestry reveals that when anything is made with conviction, mateship, self-belief and humour …. Everything becomes possible.

Take a journey with maverick musician Neil Young in this personal, behind-the-scenes doc as he cruises the coast on his recent solo tour. Directed by acclaimed filmmaker and Young’s wife, Daryl Hannah, Coastal offers a glimpse behind the curtain of this unguarded iconoclast, as he navigates a return to the stage post-Covid – from his everyday observations on the bus to his candid, wry banter with his audience. The illuminating film also features songs rarely, if ever played live, performed in breathtakingly beautiful theaters.

Revered Japanese animator and director Satoshi Kon (Paprika) helms this surreal and disturbing psychological thriller, now a cult classic often cited as one of the greatest animated films ever made. A retired pop singer turned actress's sense of reality is shaken when she is stalked by an obsessed fan and seemingly a ghost of her past.

Pink Floyd at Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, returns to theaters, now digitally re-mastered in 4K from the original 35mm footage with enhanced audio. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheater in Pompeii, Italy, the film captures Pink Floyd performing an intimate concert without an audience. Filmed in October 1971, the performance features unforgettable tracks such as “Echoes,” “A Saucerful of Secrets,” and “One of These Days.” The breathtaking visuals of the amphitheater, captured both day and night, amplify the magic of the performance, creating a unique and immersive experience. Additionally, the film includes rare behind-the-scenes glimpses of the band working on The Dark Side of the Moon at Abbey Road Studios. This meticulous restoration delivers stunning image and sound quality, featuring a theatrical and home entertainment mix from Steven Wilson in 5.1 and Dolby Atmos. These upgrades enhance the film's depth and clarity while preserving the authenticity and spirit of the original 1972 release. Inspired by the golden warmth of Pompeii’s iconic setting, the remaster transforms this timeless piece into a masterpiece of sight and sound. Experience Pink Floyd like never before through this pioneering audio-visual remaster!

In “SPIT,’ Spitteri finds himself locked up in an immigration detention centre upon his return to Australia. With old enemies on his tail and a target on his back, he navigates a series of comedic misadventures, sharing with his fellow detainees the meaning of mateship and what it is to be truly Australian.

WIN A GREAT RIDES OF NEW ZEALAND CYCLING HOLIDAY* Purchase a ticket to any Australian screening and, thanks to our presenting partner Ngā Haerenga Great Rides of New Zealand, you could win an epic cycling holiday in New Zealand for two. T’s and C’s apply* land only, flights not included. You must keep proof of your ticket purchase in the event you are drawn as the winner. One entry per person. ---- The Big Bike Film Night is on a mission - bringing the best short cycling films from around the world together for you. Showcasing 2.5 hours of riveting bike films that have everything a cycle-centric audience could want – action, drama, humour, and plenty of inspiration. The evening is unashamedly and utterly, utterly, utterly designed and devised to delight the two-wheel devotee! The 2025 treasure chest of films includes: • an exhilarating film that redefines what’s possible on a gravel bike on technically challenging terrains • a celebration of grit, camaraderie, and the beauty of "Type 2 Fun", this film is an ode to the ride, not the finish line • a captivating film that promises to take you on a journey of compassion, community, and the joy of cycling • an uplifting film that follows a group of adventurers from Wānaka, New Zealand, who gather to cycle from town out to the local Ski Field and back, carrying all their gear, with the purpose to raise awareness about the climate impact that comes with travelling and adventuring • an inspiring mountain bike ride through back country Queenstown that is both poetic and meaningful • a life-changing experience for a group of friends who undertake a trip to a bothie (hut) in the Highlands of Scotland to show what can be achieved by people with disabilities in relation to having adventures • a film that celebrates the art of “winging it” and how travelling by bicycle and the power of exploration can obliterate preconceptions and contribute to understanding others • and a classic Kiwi story of a young trail blazer participating in a gruelling six-day mountain bike rally, exploring his boundaries with his own signature entirely unsupported style - fueled by a penchant for chocolate milk and a single-minded approach to making it happen ALL in the mix! These short films are a great reminder of why we love to ride our bike; with stories that captivate us, stories that move us, and most importantly of all – inspiring us to get out and ride. All celebrate the fun, adventure, and joy that cycling enables. So...listen to the voice inside you; it’s telling you to go. Grab your mates, GO ON… grab your bike and come along for the ride!! PREVIOUS ATTENDEE’S COMMENTS: “One of the most inspiring events of the year" “The Big Bike Film Night is always a wonderful, eclectic, wacky mix of films and I love it!” “If you haven’t experienced the cinematic excellence of The Big Bike Film Night – then YOU MUST!!!”

When visionary architect László Toth and his wife Erzsébet flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern America, their lives are changed forever by a mysterious and wealthy client.

THE LAST JOURNEY follows Filip Hammar’s father Lars, who is retiring after 40 years as a beloved French teacher in Koping, Sweden. But instead of a “third age” with travel, wine, and experiences together with his wife, he becomes passive and tired. Filip and his best friend Fredrik, take Lars to his beloved France and let him revisit the places he loves. By making the same road trip that the family used to make when Filip was a child and staging some of his father’s fondest memories (often with hilarious consequences), they hope to rekindle Lars’ spark.

After 20 years away Odysseus decides to come back. The King has finally returned home but much has changed in his kingdom since he left to fight in the Trojan war.

From the best-selling author of Wonder, the book that sparked a movement to “choose kind,” comes the inspirational next chapter. In White Bird: A Wonder Story, we follow Julian (Bryce Gheisar), who has struggled to belong ever since he was expelled from his former school for his treatment of Auggie Pullman. To transform his life, Julian’s grandmother (Helen Mirren) finally reveals to Julian her own story of courage — during her youth in Nazi-occupied France, a boy shelters her from mortal danger. They find first love in a stunning, magical world of their own creation, while the boy’s mother (Gillian Anderson) risks everything to keep her safe.