Mel Brooks’ comedy spans the lowest to the highest in the course of this film, and there’s no joke he won’t mine mercilessly for the last little laugh. A testament to just how well surgical satire can undercut and expose the racist truths that lay under American history, BLAZING SADDLES allows us to confront the nation’s past while also laughing at it. Not only does Mel Brooks' film spoof the westerns of the mid-20th century excellently, it manages to talk about race and equality issues in a manner that is at once horrific and hilarious. The frank nature of the racial slurs reminds you how intolerant people back then really must have been, but then the over the top Looney Tunes inspired comedy shows just how ridiculous that kind of ignorance really was. Starring Mel Brooks, Gene Wilder, Cleavon Little, Madeline Khan, Harvey Korman, Slim Pickens. Come early! Doors 5pm, Pre-show 5:30pm

Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom. COME EARLY! Doors 7pm, pre-show 7:30pm

A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite. COME EARLY! Doors one hour before start time, pre-show 30 mins before.

Be the first to see it at The Hollywood! Professor Se Jeong, attends a biotech conference-only to witness it spiral into catastrophe when a rapidly mutating virus is unleashed. As the outbreak spreads and the infected begin to transform, authorities seal off the entire facility. "At a narrative level, it pulls from modern anxieties surrounding surveillance, the unfettered spreading of information and the trauma of contagion (and indeed lockdown)... carefully choreographed action sequences unfolding at a breakneck pace saturated by lashings of gore." - Screen Daily COME EARLY! Doors 6:30pm, pre-show 7pm

Johnny Knoxville and the gang return for one final fling at the big screen. Featuring all-new stunts and stupidity along with the greatest hits and biggest laughs from the past, jackass: best and last is a joyously raucous celebration of all the mischievous camaraderie that you’ve come to love and expect from these idiots over the past 25 years. So, grab your dumb little buddies, raise your glasses, and come experience the cinematic event that promises to be the last time you’ll ever laugh this hard in a theatre. COME EARLY! Doors 6:30pm, pre-show 7pm

See it first at The Hollywood! Teenage boys Naim and Ryan strike up an unexpected connection. But when their bond draws the attention of their community, a ritual is performed on them, releasing a violent entity. An entity that takes the form of its victim's truest desire. COME EARLY! Doors 6:30pm, pre-show 7pm

Live it up today, your time is up tomorrow. In the Year of the City 2274, humans forsake the ravaged outer environment by living in a vast, bubbled metropolis. There, computerized servo-mechanisms provide all needs and everyone can pursue endless hedonism. Endless, that is, until Lastday. That's when anyone who's 30 must submit to Carrousel, a soaring, spinning trip to eternity and supposed rebirth. "A rewarding futuristic film that appeals both as spectacular-looking escapist adventure as well as intelligent drama." - Varitey COME EARLY! Doors 2pm, pre-show 3:30pm

A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise. COME EARLY! Doors 6:30pm, pre-show 7pm

Desert ants suddenly form a collective intelligence and begin to wage war on the inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. Known for its surreal visuals, minimal dialogue, and intense, close-up cinematography, it is highly regarded for its unique take on ecological horror, often compared to a "psychedelic 2001". The sole feature film directed by acclaimed graphic artist Saul Bass, PHASE IV is a landmark of 1970s science fiction as it blends arresting visuals, photographed by Dick Bush (Sorcerer) along with nature photographer Ken Middleham, with a tense and harrowing animal attack narrative. Starring Nigel Davenport (Chariots of Fire), Michael Murphy (Nashville), and Lynne Frederick (Schizo) and featuring a mesmerizing musical score by electronic music pioneer Brian Gascoigne. Doors open 1 hour before start time.

"Attila the Hun. Ivan the Terrible. Al Capone. They were all seven once." In the pantheon of films about bad children, 1990's PROBLEM CHILD is up there with THE BAD SEED for terrifying tikes. When Junior heads home with his new family, he sets out on a warpath against them, the neighborhood children, clowns, cats and befriends a serial killer! With a streak of dark humor and great comic performances from John Ritter, Amy Yasbeck, Michael Richards, Gilbert Gottfried and Jack Warden - PROBLEM CHILD may be almost 30 years old, but Junior is forever young. COME EARLY! Doors 3pm, pre-show 3:30pm

A former FBI agent turned small-town sheriff agrees to help the FBI chief infiltrate the Chicago mafia when the FBI chief's son is killed by them. COME EARLY! Doors 7pm, pre-show 7:30pm

Our motto at Trashathon is the same as what John Waters (The Pope of Trash) said about great trash cinema. “You never look down on trash, you look up to it." The fans who attended our first outing have been bugging us ever since to do another one. Be careful what you wish for! As we are back for the 2nd Annual Trashathon. Welcome to RETURN TO TRASHATHON. Another 12 hour event of carefully curated secret line-up of sub-mental motion pictures. We don’t play the hits - we play the shits. Whether intentional or accidental, true trash cinema crashes through the boundaries of decorum, offering a profoundly sublime big-screen experience. Whether budgetary constraints, ineptitude, misguided passion or some cosmic planetary alignment - the bottom line is simply this, these films are riotous fun - especially with a crowd of like-minded film freakazoids. MORE DETAILS: Filter Coffee Supreme available all day / night. Bring your KEEP CUP to get a discount! Snack breaks throughout. Coffee and snack breaks throughout the night - Short Dinner Break around 7pm. Hot pies, sausages rolls, pastries + a gluten free hot meal available. Maybe some baking too. Arrive on time to get your favourite seat. If you have purchased Bean Bag Seating ***BYO BEAN BAG - Bring, buy or borrow from a friend. We don't have any! Doors 11:30am, First film begins at 12pm sharp!

Jack Hazan and David Mingay’s Rude Boy follows on the heels of 'A Bigger Splash', their intimate observation of painter David Hockney’s artistic and personal struggles. Once again merging documentary and fiction, Rude Boy follows roughneck Ray Gange as he drops his Soho sex-shop job to roadie for The Clash—the most fiery, revolutionary rock ’n’ roll band of the era, seen in this film at the dizzying peak of their powers. COME EARLY! Doors 6:30pm, pre-show 7pm

A darker reimagining of the classic Robin Hood tale, which will see the character as a battleworn loner grappling with his past after a life of crime and murder, and who finds himself gravely injured and in the hands of a mysterious woman who offers him a chance at salvation. COME EARLY! Doors 7pm, pre-show 7:30pm

The film features a fictional scientist, Dr. Nils Hellstrom (played by Lawrence Pressman), who argues that insects are superior to humans due to their adaptability, collective intelligence, and ruthless efficiency, and that they will ultimately inherit the Earth. It is described as a "quasi-documentary" or "horror pseudo-documentary" with an ominous tone. It won the 1972 Academy Award for Best Documentary Feature and the BAFTA Award for Best Documentary, despite being a fictional narrative. Directed by Walon Green and Ed Spiegel, and produced by David L. Wolper, it was a major influence on Frank Herbert's novel Hellstrom's Hive. DOORS: One hour before start time, pre-show 30 mins before.

Co-presented with DocPlay: WELCOME SPACE BROTHERS unveils the true story of The Unarius Academy of Science, an extraterrestrial-channeling spiritual school in Southern California who in the late 1970s became a wildly prolific filmmaking collective under the direction of their outlandish spiritual leader Ruth E. Norman, AKA “Archangel Uriel.” “If I didn’t know Jodi Wille’s film, Welcome Space Brothers, was a documentary, I’d swear it was a WTF, insane, sci-fi tale of weirdness. The story of Ruth is fascinating….” - Film Threat "“As with (Wille’s) previous film The Source Family…she remains steadfastly non-judgemental about the unconventional spiritual utopian communitarianism that is so often dismissed as delusional hippy bullshit. Where corporate stooge David Letterman saw Uriel as one zany kook among an endless stream of “talent,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world, deserving of our respect." - Artillery COME EARLY! Doors 5:30pm, pre-show 6pm *Get a 3 month DocPlay subscription with your ticket.