Jake and Neytiri's family grapples with grief after Neteyam's death, encountering a new, aggressive Na'vi tribe, the Ash People, who are led by the fiery Varang, as the conflict on Pandora escalates and a new moral focus emerges.

Beat the Lotto is a rip-roaring tale about the mathematician who, along with a ragtag syndicate, plotted to fix Ireland’s National Lottery in 1992, captivating the nation and sparking rabid debate. In Ireland, the public became obsessed when the National Lottery arrived, none more so than mathematician and avid stamp-collector Stefan Klincewicz. Using mathematical analysis, he reckoned the system could be beaten if he could just gather enough people to form a syndicate to buy every single ticket combination – and front up all the cash, of course. Director Ross Whitaker fashions this unbelievable true story into a gripping thriller, mirroring the tension felt by the public as the lottery authorities caught wind of the plan. With insightful interviews and fantastic archival footage, Beat the Lotto is a look back at Ireland in the 1990s and a compelling tale of one man’s attempt to outsmart the system.

Take Dickens' Classic CHRISTMAS CAROL, add the best of contemporary British musical and acting talent, and you have a modern film set in vibrant, diverse London in the same joyous spirit as Chadha's BEND IT LIKE BECKHAM

ACT I In the village square, preparations are under way for the wedding of Elvino and Amina, a village favorite. Only Lisa, the practical-minded innkeeper, who was once engaged to Elvino herself, is unhappy. Amina enters and expresses her happiness and gratitude to all and especially to Teresa, who brought her up after she was orphaned (“Come per me sereno”). Elvino rushes in late for the contract signing and offers a bouquet of violets to Amina in apology, then gives her a ring that belonged to his mother (Duet: “Prendi, l’anel ti dono”). Suddenly, a stranger arrives—Count Rodolfo in disguise. After accepting Lisa’s offer to spend the night at the inn he declares his love for this place that he has not seen in years (“Vi ravviso, o luoghi ameni”). Noticing Amina, he is struck by her resemblance to a great love of his youth. As it grows dark, the villagers become apprehensive and Teresa explains to the stranger that a ghost haunts the town. Amused, the stranger says he’d like to see the ghost, then departs, followed by the villagers. Alone, Elvino and Amina quarrel over the count’s attentions to Amina, but Elvino soon apologizes for his jealousy (Duet: “Son geloso del zeffiro errante”). At the inn, Lisa has identified the stranger as the lost heir of the former local count. The two of them flirt, when suddenly there is a noise and Lisa hides in the closet, dropping her handkerchief. Amina enters, walking in her sleep. Rodolfo realizes that she must be the village “ghost.” Lisa, however, assumes Amina is coming to meet Rodolfo as a lover and slips away. Moved by her unconscious expressions of love for Elvino, Rodolfo leaves Amina innocently asleep on his bed. Unfortunately, the ever-inquisitive villagers choose this moment to come sneaking in to get another look at the stranger. Lisa appears with Elvino and Teresa, and everyone is shocked to find Amina in the count’s bed. Awakened by the commotion, the girl protests her innocence (“D’un pensiero e d’un accento”). For a moment, the entire village seems heartbroken over Amina’s betrayal, but soon rage sets in. In spite of Teresa’s pleas and Amina’s protestations, Elvino calls off the wedding and, with the rest of the village, turns on Amina (“Non più nozze”) In the ensuing chaos, Teresa picks up Lisa’s handkerchief. ACT II Feeling repentant, the villagers walk through a wood to Count Rodolfo’s castle, to speak to him regarding Amina’s case. Amina and Teresa enter and overhear Elvino lamenting (“Tutto è sciolto”). When he sees Amina, he reproaches her again and takes his ring from her. The villagers return to say that Rodolfo has confirmed Amina’s innocence and is on his way, but Elvino refuses to see his “rival” and leaves in despair. Amina is led away by Teresa. Elvino has decided to marry Lisa after all. He enters to lead her to church, but they are interrupted by the arrival of Rodolfo, who again proclaims Amina’s innocence, explaining to the incredulous crowd that she was only sleepwalking. Teresa appears, asking for quiet, since Amina has fallen asleep from exhaustion. She is shocked to see that Lisa is about to marry Elvino, who replies that Lisa was not found in another man’s room. When Teresa produces the handkerchief, Elvino realizes that Lisa has lied to him. Suddenly Amina appears, sleepwalking at a great height along a treacherous ledge. Afraid of waking her, the villagers watch and pray for her as she slowly reaches safety. Still asleep, Amina mourns the loss of Elvino, remembering the flowers he gave her that have since faded, and searching for her lost ring (“Ah! non credea mirarti”). Convinced of her innocence and unable to watch her suffer any longer, Elvino puts the ring back on her finger. Waking, Amina’s embarrassment turns to joy when she realizes that her dream has come true.

Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic. Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost? Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.

When satirist John Clarke died in 2017, the world mourned an icon. A defining comedic voice for over forty years, Clarke gave away very little about his own life. At home, by contrast, he was an open book. In a remarkable series of recorded conversations, John and his daughter (writer/director Lorin Clarke) trace his steadfast resistance to authority back to his childhood, delve into his early career forging a career in New Zealand, and offer delightful insights into his four decades in the entertainment industry

The Four Horsemen return along with a new generation of illusionists performing mind-melding twists, turns, surprises, and magic unlike anything ever captured on film. Directed by Ruben Fleischer (Venom, Uncharted, Zombieland), the film stars Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Justice Smith, Dominic Sessa, Ariana Greenblatt, with Rosamund Pike, and Morgan Freeman.

The Allies, led by the unyielding chief prosecutor, Robert H. Jackson (Michael Shannon), have the task of ensuring the Nazi regime answers for the unveiled horrors of the Holocaust while a US Army psychiatrist (Rami Malek) is locked in a dramatic psychological duel with former Reichsmarschall Herman Göring (Russell Crowe).

When a train unexpectedly starts up, taking only pets with it, the animals discover that Hans, a badger with a grudge is behind it all. While the crash seems inevitable, the animals can count on Falcon, a roguish Raccoon who will do anything to save them.

Three-time Emmy nominee Melanie Lynskey (YELLOW JACKETS, THE LAST OF US) and acclaimed NZ actress Robyn Malcolm (TOP OF THE LAKE, AFTER THE PARTY) star as Anna Osborne and Sonya Rockhouse; two ordinary women who together stand up and take on the government, justice system and a company that will stop at nothing to protect itself, after the 2010 Pike River Mine explosion takes the lives of 29 men underground. This is a film about the powerless vs. the powerful, of people vs. money, of right vs. wrong. An inspiring true story of an incredible female friendship and together what is possible when you simply won’t give up.

“Springsteen: Deliver Me from Nowhere” chronicles the making of Bruce Springsteen’s 1982 “Nebraska” album. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works—a raw, haunted acoustic record populated by lost souls searching for a reason to believe. “‘Nebraska’ is where Bruce chose truth over expectation—a choice that still reverberates through everything he’s written since. At that crossroads, he could have chased the bright lights and the roar of arenas, but instead he turned inward, armed only with silence, a four-track recorder, and the courage to confront himself. For him to trust me with telling that story—the most vulnerable chapter of his life—is the greatest honour I’ve ever had as a filmmaker,” says Cooper. “This film takes a couple years out of my life and looks at them very closely, a time when I made ‘Nebraska’ and went through some personal difficulties,” says Springsteen. “I’m so appreciative of Jeremy Allen White and the entire cast for their wonderful and moving performances—and Scott Cooper, one of the most generous collaborators I’ve ever worked with.” Starring Jeremy Allen White as Bruce Springsteen, the film is directed by Scott Cooper from his adaptation of Warren Zanes’ book of the same name. “Springsteen: Deliver Me from Nowhere” also features Jeremy Strong as Springsteen’s long-time confidant and manager, Jon Landau; Paul Walter Hauser as guitar tech Mike Batlan; Odessa Young as Faye; Stephen Graham as Springsteen’s father, Doug; Gaby Hoffman as Springsteen’s mother, Adele; and David Krumholtz as Columbia executive, Al Teller. The film is produced by Cooper, Ellen Goldsmith-Vein, Eric Robinson and Scott Stuber. Tracey Landon, Jon F. Vein and Zanes executive produce. The film includes an original score by composer Jeremiah Fraites, cinematography by Masanobu Takayanagi, production design by Stefania Cella, costume design by Kasia Walicka-Maimone, and is edited by Pamela Martin. “Springsteen: Deliver Me from Nowhere” will be in cinemas October 23.

Did you know that you have to stir clockwise when you stir your oatmeal? Otherwise you're letting the devil into your porridge. Everyone knows this- at least in the village of Carrbridge in the Scottish Highlands. For 30 years the town has hosted the World Porridge Championships.

An intimate, star-studded dive into the birth of an icon, and everything that followed. A look at the life of the greatest it-girl of all time. Featuring contributions from Dustin Hoffman, Paul McCartney, Charlotte Tilbury, Joanna Lumley, and many more, TWIGGY is an exploration of the model's upbringing, career, relationships, and everything else that has made her the woman she is today, and the first time the icon has told her story first-hand.

In Walt Disney Animation Studios’ “Zootopia 2,” detectives Judy Hopps (voiced by Ginnifer Goodwin) and Nick Wilde (voiced by Jason Bateman) find themselves on the twisting trail of a mysterious reptile who arrives in Zootopia and turns the animal metropolis upside down. To crack the case, Judy and Nick must go undercover to unexpected new parts of town, where their growing partnership is tested like never before. Oscar® winners Jared Bush (co-director/co-writer “Zootopia,” director/co-writer “Encanto”) and Byron Howard (director “Zootopia,” director “Encanto”) are directing; Bush is writing the script; Yvett Merino (Oscar-winning producer “Encanto”) produces. “Zootopia 2” hits cinemas Nov. 27, 2025.