Eleanor the Great features a bravura performance from June Squibb in the title role of the spirited 94-year-old who tells a tale that takes on a dangerous life of its own. Eleanor Morgenstein has always stayed engaged and connected to the people around her. So, after a devastating loss, she relocates from Florida to New York City to live with her daughter and grandson, hoping to reconnect with her family. Instead, she feels even more adrift and invisible. One day she unknowingly wanders into a support group where she doesn’t quite belong, only to reveal a story that unwittingly brings her a level of attention she did not intend. Eleanor finds herself caught up in the enlivening consequences as a young journalism student pursues her as a friend and mentor. When things go too far, Eleanor must confront the truth. In her directorial debut, Scarlett Johansson brings together themes of aging, family, loss and what constitutes deceit, as this story of friendship and history turns into a profound tale of complicated humanity.

Three-time Emmy nominee Melanie Lynskey (YELLOW JACKETS, THE LAST OF US) and acclaimed NZ actress Robyn Malcolm (TOP OF THE LAKE, AFTER THE PARTY) star as Anna Osborne and Sonya Rockhouse; two ordinary women who together stand up and take on the government, justice system and a company that will stop at nothing to protect itself, after the 2010 Pike River Mine explosion takes the lives of 29 men underground. This is a film about the powerless vs. the powerful, of people vs. money, of right vs. wrong. An inspiring true story of an incredible female friendship and together what is possible when you simply won’t give up.

In August 2017, in the lead-up to national elections, Jacinda Ardern unexpectedly became New Zealand’s opposition party leader. She had just turned 37. Two frenetic months later, she was Prime Minister. Just before the final vote was in, she discovered she was pregnant. She would become only the second head of state in history to give birth while in office. Ardern quickly became one of the most recognizable leaders in the world. She drew global attention from people craving a sensitive and compassionate approach to the critical issues of our time. In private, she struggled with being a mother and proving herself to a public skeptical of women’s leadership. A series of crises - the Christchurch massacre, pandemic lockdowns, and disinformation-fueled protests outside Parliament - would test that leadership and the feminine touch she brought to it. She resigned from office in January 2023, shocking her supporters and critics alike. Going behind the scenes of her administration and her private life, PRIME MINISTER follows Jacinda for seven years as she is catapulted to the top of New Zealand politics, becomes a feminist political icon, resigns suddenly from office and continues to champion the fight against isolationism, fear, and the distortion of truth. Intimate home footage shot by her husband and audio interviews that Jacinda did while in office give us unparalleled access. Along with in-depth contemporaneous interviews, these form the emotional backbone of the story, giving viewers an unfiltered window into her years in power. The world is at a perilous political crossroads. Trust in institutions, expertise, and liberal democracy itself are under dire strain. Which direction will we go? PRIME MINISTER leaves viewers wondering what the world might be like with more Jacindas at the helm.

“Springsteen: Deliver Me from Nowhere” chronicles the making of Bruce Springsteen’s 1982 “Nebraska” album. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works—a raw, haunted acoustic record populated by lost souls searching for a reason to believe. “‘Nebraska’ is where Bruce chose truth over expectation—a choice that still reverberates through everything he’s written since. At that crossroads, he could have chased the bright lights and the roar of arenas, but instead he turned inward, armed only with silence, a four-track recorder, and the courage to confront himself. For him to trust me with telling that story—the most vulnerable chapter of his life—is the greatest honour I’ve ever had as a filmmaker,” says Cooper. “This film takes a couple years out of my life and looks at them very closely, a time when I made ‘Nebraska’ and went through some personal difficulties,” says Springsteen. “I’m so appreciative of Jeremy Allen White and the entire cast for their wonderful and moving performances—and Scott Cooper, one of the most generous collaborators I’ve ever worked with.” Starring Jeremy Allen White as Bruce Springsteen, the film is directed by Scott Cooper from his adaptation of Warren Zanes’ book of the same name. “Springsteen: Deliver Me from Nowhere” also features Jeremy Strong as Springsteen’s long-time confidant and manager, Jon Landau; Paul Walter Hauser as guitar tech Mike Batlan; Odessa Young as Faye; Stephen Graham as Springsteen’s father, Doug; Gaby Hoffman as Springsteen’s mother, Adele; and David Krumholtz as Columbia executive, Al Teller. The film is produced by Cooper, Ellen Goldsmith-Vein, Eric Robinson and Scott Stuber. Tracey Landon, Jon F. Vein and Zanes executive produce. The film includes an original score by composer Jeremiah Fraites, cinematography by Masanobu Takayanagi, production design by Stefania Cella, costume design by Kasia Walicka-Maimone, and is edited by Pamela Martin. “Springsteen: Deliver Me from Nowhere” will be in cinemas October 23.