In the twisty, stylish crime thriller CRIME 101, Davis (Chris Hemsworth) is an elusive thief whose high-stakes heists have mystified police. He’s planning his biggest ever score — hoping it’ll be his last — when his path collides with Sharon (Halle Berry), a disillusioned insurance executive whom he’s forced to work with, and Orman (Barry Keoghan), a rival thief with far more disturbing methods than Davis's. As the multi-million dollar heist approaches, relentless detective Lt. Lubesnik (Mark Ruffalo) closes in on the operation, raising the stakes even higher, and the line between hunter and hunted starts to blur. Each of them is soon forced to confront the cost of their respective choices — and the realization that there's no turning back. CRIME 101 is written and directed by Bart Layton (American Animals, The Imposter).

A lauded Australian documentarian and one of the heroes of the Thai cave rescue come together for a gripping adventure into deep water. Richard “Harry” Harris knows a thing or two about diving. Named an Australian of the Year for his pivotal role in the 2018 Tham Luang cave rescue – which saved the lives of 12 Thai children and their coach – he has already been the subject of nonfiction films and was even portrayed by Joel Edgerton in Ron Howard’s Netflix dramatisation of the remarkable mission. Now, he is returning to the waters – this time, in New Zealand’s Pearse Resurgence, in pursuit of perhaps the deepest-dived cave system in the world. Accompanied by his crew and filmmaker Jennifer Peedom, Harris descends to chart a new path forward. Peedom has crafted some of the country’s most eye-opening and successful works of documentary, including Sherpa (MIFF 2015), Mountain (MIFF 2017) and River (MIFF 2021). Working here with the sublime cinematography of Benjamin Dowie (Embrace Kids, MIFF 2022) and an enthralling score by award-winning composer Anthony Partos (Animal Kingdom; The Rover), she captures the dangers lurking in the waters as well as the camaraderie and nervous excitement that come with thrill-seeking. But Deeper goes beyond the superficial pleasure of risk – it’s also a sensitive examination of the profound yearning that compels a person to plunge into such a daring feat. “Invigorating … a different kind of courage is involved with undertaking such an experience willingly … Deeper captures that feeling that emotion, that drive, perfectly.” – Screen Anarchy

From Sony Pictures Animation, the studio behind Spider-Man TM: Across the Spider-Verse and the artists that made KPop Demon Hunters, comes GOAT, an original action-comedy set in an all-animal world. The story follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball–a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”

Der Animationsfilm GRAND PRIX OF EUROPE schickt Ed & Edda auf ein rasantes und herzerwärmendes Abenteuer, das mit charmanten Charakteren, einer fesselnden Geschichte, Action und Witz das Kinopublikum 2025 weltweit begeistern wird. GRAND PRIX OF EUROPE wird produziert von Michael Mack, geschäftsführender Gesellschafter des Europa-Park Erlebnis-Resorts und Gründer des Entertainment-Unternehmens MACK Magic.

From Academy Award® winning writer/director Chloé Zhao, HAMNET tells the powerful love story that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet.

As their marriage quietly unravels, Alex seeks new purpose in the New York comedy scene while Tess confronts the sacrifices she made for their family — forcing them to navigate co-parenting, identity, and whether love can take a new form.

What begins as a minor accident sets in motion a series of escalating consequences.

A 16-year-old girl is given 13 hours to solve a labyrinth and rescue her baby brother when her wish for him to be taken away is granted by the Goblin King.

1859. When a young Māori woman is summoned from New Zealand to North Yorkshire, she uncovers her horrific colonial heritage and is compelled to confront and destroy the titled Englishman who devastated her family.

Man-su (Lee Byung-hun from Squid Game) thinks he has it all – a loving wife, two children, two Golden Retrievers, and a dream home. When he is abruptly laid off from a paper company after 25 years of service, he vows to find a new job in the industry within the next three months. After a long and fruitless job search, Man-su risks losing the family home. Out of desperation, he hits on a solution to find work: eliminate the competition. Park Chan-wook, the legendary director of Decision to Leave, The Handmaiden and Oldboy, delivers another stylish and biting satire of contemporary capitalism.

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple. From Director Richard Linklater, NOUVELLE VAGUE is the story of Jean-Luc Godard making "Breathless". The film is a love letter to the revolutionary magic of the French New Wave and a homage to Godard's influential 1960 film, capturing its youthful dynamism and creative chaos.

An intimate and moving exploration of family, memories, and the reconciliatory power of art.

THE POUT-POUT FISH is the hilarious and heartwarming story of an unlikely duo: Mr Fish a prickly recluse and Pip a hyperactive sea dragon. When catastrophe strikes, they must embark on a daunting undersea quest in search of a fabled mythical fish to grant their wish to save their homes. A seemingly impossible mission into the great unknown, their adventure is littered with infuriating roadblocks, unexpected dangers, dazzling wonders, irrepressible characters and heart-pounding excitement. So begins a full-throttle all-or-nothing race-against-the-clock, as these subaquatic misfits call upon all the strength, friendships and wisdom they’ve gained on their journeys to try to save the places that mean most to them!

1977. In a Brazil tormented by the military dictatorship, Marcelo, a man in his forties fleeing a troubled past, arrives in the city of Recife where he hopes to build a new life and reconnect with his family. That's without taking into account the death threats that lurk and hover over his head.

Unprecedented insight into the curation of the Toi Tū Toi Ora exhibition reveals the struggle for Māori artistic sovereignty within the structures of Aotearoa New Zealand’s cultural institutions. Toi Tū Toi Ora: Contemporary Māori Art was the largest exhibition in the history of Auckland Art Gallery and attracted attendance levels not seen by the gallery since 1989. But its triumph masked a deeper tension. Chelsea Winstanley’s documentary follows the journey of curator Nigel Borell as he navigates the constraints between institutional authority and Māori self-determination. Borell’s curatorial vision is clear – Māori art must be authored, not simply advocated for. For the artists, this represents a chance to be seen on their own terms, and is an initiative that ultimately leads some to the global stage of the Venice Biennale. But as the scale of the exhibition grows, so does the institutional resistance. The result is a reckoning: whose story is being told, and who holds the pen? With many of the artworks exploring the legacy of colonialism, the making of the exhibition itself becomes a living reflection of that very struggle. Laying bare behind-the-scenes conversations rarely seen on screen, TOITŪ Visual Sovereignty lifts the curtain on the inner workings of an institution and examines the cost of visibility without control – and the quiet power of walking away. — Heperi Mita

A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.