"A man and a woman, both widowed, meet by chance in Deauville on a Sunday evening while visiting their respective children at boarding school. On one side, Jean-Louis Duroc (Jean-Louis Trintignant, Janis and John, AF FFF04) is a race car driver, widowed and a single father after his wife’s suicide. On the other, Anne Gauthier (Anouk Aimée), a screenwriter, is also widowed and a single mother, still reeling from the accidental death of her husband. Over the course of their encounters, initially marked by mistrust and unspoken feelings, they begin to share memories and emotions, forming a friendship that quickly blossoms into romance. The couple struggles to overcome their past tragedies while trying to build a new relationship. Every outing in the city, every walk, and every conversation allows them to discover more about each other, all the while hiding their wounds behind misunderstandings and silences. This French romantic drama, directed by Claude Lelouch (At the end of the day, AF FFF25) in 1966, won numerous international awards, including the Palme d’Or at Cannes and two Oscars."
MSuicide references and coarse language
An unexpected road trip brings a dysfunctional family together for one last journey with their elder, sparking moments of connection, joy, and reconciliation.
MA15+Strong blood and gore and violence
When a mutating, highly contagious fungus escapes a sealed facility, two young employees – joined by a grizzled bioterror operative – must survive the wildest night shift ever to save humanity from extinction.
"In 2025, nearly 30 relatives unexpectedly learn they are linked by one shared ancestor, Adèle Meunier (Suzanne Lindon, Spring, AF FFF20). The legacy awaiting them is unusual: a countryside home in Normandy, abandoned for decades and suspended in time. Four of them, Seb (Abraham Wapler), Abdel (Zinedine Soualem, Divertimento, AF FFF24), Céline (Julia Piaton, Like a Prince, AF FFF25) and Guy (Vincent Macaigne, Three friends, AF FFF25), are sent to survey the estate. They enter the property expecting routines, documents and parameters. The house replies with echoes. What starts as a property inspection becomes a stranger discovery. In the quiet of frozen rooms and forgotten objects lingers the trace of a 19th-century young woman whose story feels unfinished rather than distant. As the cousins gather fragments, the film keeps shifting between eras, drawing subtle parallels between their present and Adèle’s 19th-century life, retracing moments, emotions, and choices that still seem to reverberate today. With COLOURS OF TIME, Cédric Klapisch (Rise, AF FFF22) weaves a sensitive and luminous family saga, connecting the great history of the 19th century to our contemporary questions, where destinies echo from one generation to the next."
MCrude humour, comedic violence, coarse language and sexual references
A spoof that crosses Downton Abbey with Flying High and Monty Python, Fackham Hall follows lovable pick-pocket Eric Noone as he lands a job at a unique English manor house. He quickly rises through the ranks, and a forbidden romance with lady-of-the-house Rose Davenport blossoms. But when an unexpected murder occurs, Eric gets framed - leaving Rose and her family’s future perilously uncertain.
PGMild crude humour, animated violence and coarse language
From Sony Pictures Animation, the studio behind Spider-Man: Across the Spider-Verse and the artists that made KPop Demon Hunters, comes GOAT, an original action-comedy set in an all-animal world. The story follows Will, a small goat with big dreams who gets a once-in-a-lifetime shot to join the pros and play roarball – a high-intensity, co-ed, full-contact sport dominated by the fastest, fiercest animals in the world. Will’s new teammates aren’t thrilled about having a little goat on their roster, but Will is determined to revolutionize the sport and prove once and for all that “smalls can ball!”
PGMild themes, sexual references and coarse language
Celebrate the start of the Rock'N'Roll Festival with a live performance from The Silverados, followed by a screening of Grease. Good girl Sandy and greaser Danny fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance?
MMature themes, violence and coarse language
Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow (Glen Powell) will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
MA 15+Strong coarse language & nudity
From acclaimed director Sophie Hyde (Good Luck to You, Leo Grande), JIMPA is an uplifting multi-generational family story starring award-winning favourites Olivia Colman and John Lithgow. Hannah (Colman) travels to vibrant Amsterdam with her teen, Frances (Aud Mason-Hyde), to reconnect with her politically-engaged, gay father—affectionately known as “Jimpa” (Lithgow). Frances is besotted with Jimpa and announces they wish to stay with him for a year – to Hannah’s apprehension. Jimpa is fiercely independent, so it is a shock when his declining health is revealed, upending Frances' plans and bringing Hannah’s sister in from the UK. As the siblings negotiate what happens next, Hannah must confront her past and the stories she has told about her family. With warmth, humour and joy, JIMPA reminds us that, in every family, there are stories that don't add up.
MMature themes and coarse language
MIDWINTER BREAK is a compelling story about lost faith, commitment, and the enduring power of love, as a longtime couple takes a life-changing trip to Amsterdam.
Mr Snotbottom is a hysterically deeesgusting kids comedian brimming with all the ooey, gooey yucky things kids love! A live show full of gross-tastic gags, tasteless tunes and just-wrong routines, Mr Snotbottom is the perfect entertainer for weird kids 4+ and their even weirder parents.
"Paskal Jankovski (Clovis Cornillac, King of My Castle, AF FFF24) is on the verge of earning his third Michelin star, the ultimate accolade in the world of fine dining. Just hours before the official announcement, he mysteriously disappears during a hunting trip, accompanied by his sous-chef Antoine (Julien de Saint-Jean, Lie with Me, AF FFF23), who also happens to be the partner of his daughter, Clara. At only 20 years old, Clara (Julia de Nunez) suddenly finds herself in charge of the family restaurant. Two years later, she receives a mysterious invitation to Taiwan, leading her on a deeply personal journey that intertwines the search for truth, family legacy, and self-discovery. Nearly ten years after his last film, Régis Wargnier (The Gate, AF FFF15) makes a remarkable return with Redressed, a work inspired by a true story: the unexplained disappearance of someone close to a family he once knew. Filmed between France and Taiwan, this film stands as both an ode to gastronomy, a meeting of cultures, a love story, and the poignant quest of a daughter seeking her missing father."
MMature themes and coarse language
After prison, Kenna attempts to reconnect with her young daughter but faces resistance from everyone except a bar owner with ties to her child. As they grow closer, Kenna must confront her past mistakes to build a hopeful future.
PGmild themes & sexual references
After being left at the altar in Rome, a man decides to go on his honeymoon alone.
MCoarse language
After the theft of the century, the madness begins... On the night of May 19th, 2010, five paintings were stolen from the Musée d’Art Moderne de Paris. The five artworks, from artists including Matisse, Modigliani and Picasso, were estimated to be worth more than 100 million euros. While the paintings have never been recovered, this outrageous comedy tells a frenetic and madcap tale of what could have happened to these famous works. Melvil Poupaud (Jeanne du Barry) plays Yonathan, whose monotonous life is turned upside down when he encounters Eric (Sofiane Zermani), a brash, smooth-talking con artist/fence. When Eric hires Jo (Steve TIentcheu, Neneh Superstar), a skilled thief known as “The Spider Man of Paris”, to steal the paintings from the Museum of Modern Art, the three men’s lives are intertwined in an uncontrollable spiral. Anchored by a star turn from Melvil Poupaud as the perpetually anxious watch expert turned in circles by a fast talking criminal, this wonderfully told story takes audiences on an entertaining ride through one of the most famous art heists of recent times.
"Freshly graduated corporate lawyer, Mehdi (Sami Outalbali, Meet the leroys, AF FFF25) is looking forward to a peaceful summer in the luxurious South of France estate of his future in-laws. But his vacation quickly takes an unexpected turn. Upon his arrival, a dispute erupts between his fiancée Garance’s (Noée Abita, Maria into Life, AF FFF23) family and the villa’s caretakers, Tony and Nadine (Ramzy Bedia, Love Songs For Tough Guys, AF FFF22 and Laure Calamy, Iris and the Men, AF FFF24)). At the heart of the conflict: a class issue. Fully aware of the situation himself, coming from a modest background, and hoping to land an internship at his future father-in-law Philippe’s (Laurent Lafitte, The Count of Monte Cristo, AF FFF25) law firm, Mehdi embarks on a bold attempt to negotiate peace between the two parties. However, the initial quarrels quickly escalate into a full-blown family conflict, where money, power, and pride clash relentlessly. Will the two families manage to reach a compromise? By Antony Cordier (Happy Few, AF FFF11), this hilarious dark comedy draws inspiration from real-life situations experienced by the authors and their acquaintances, exaggerated here to the extreme for a satirical effect. While the themes are sometimes dark, the humor always balances the tension, making the film both sharp and entertaining."
MMature themes, coarse language, nudity and sexual references
"2026 LUMIÈRE AWARDS NOMINEE (x2) - Best Actress, Best Actor OFFICIAL SELECTION - 2025 CANNES FILM FESTIVAL (Out Of Compétition) Few modern scandals have captivated France as the astonishing events surrounding Liliane Bettencourt, the billionaire heiress to the L’Oreal fortune and doyenne of Parisian society. Now writer/director Thierry Klifa has freely adapted the incredible story into a captivating dark comedy, featuring a jaw-dropping, tailor-made role for one of France’s most iconic stars. Marianne Farrère (Isabelle Huppert), the head of the Windler Group, is the richest woman in the world. Pierre-Alain Fantin (Laurent Lafitte) is a vivacious dandy, writer and photographer. After meeting on a photo shoot, the two quickly become inseparable. Their friendship – one where Pierre-Alain is only too happy to take financial advantage – surprises, amuses, intrigues, and eventually unsettles the billionaire’s entourage and family. Most of all, Marianne’s daughter (Marina Fois) struggles with her mother’s sudden complicity with this younger man, but her husband (André Marcon) and loyal butler (Raphaël Personnaz) share her concerns. Surreptitious queries soon transition into a private investigation, resulting in extraordinary ramifications for all involved… With several twists too good to spoil, The Richest Woman in the World makes the most of its fabulous ensemble cast, but Huppert and Lafitte simply eat up the screen. This wildly entertaining film became an enormous box-office hit in France for good reason."
MA15+strong nudity & sex scenes
"The superb new film from multi-award winning writer/director François Ozon (Swimming Pool, 8 Women, Under the Sand), THE STRANGER is a gripping adaptation of Albert Camus’ landmark novella about a detached young expat under trial for murder in French-colonised Algeria. Summer, 1938. Meursault (Benjamin Voisin, Lost Illusions), a quiet and unassuming clerk in his early thirties, attends his mother’s funeral. The next day, he begins a casual affair with Marie (Rebecca Marder), a colleague randomly encountered at the local baths, and quickly slips back into routine. However, daily life is soon disrupted by his volatile neighbour (an excellent Pierre Lottin, My Brother’s Band), who draws Meursault into an altercation involving an ex-lover. And then, one blisteringly hot afternoon, an inexplicable event occurs on a beach, one that will see Meursault’s very moral standing brought to question… Visually resplendent with sensuous black-and-white images, Ozon’s elegant and masterfully realised film shines a contemporary lens on Camus' classic tale of dissociation and morality, capturing the beauty and heat of a charged society on the boil. Both impactful and mysterious, THE STRANGER is must-see French cinema of the highest order."
"Marguerite (Laure Calamy, How to Make a kiling, AF FFF25) has no reason to refuse Fred, her ex-husband, the Church’s request to annul their marriage. She has a new partner with whom she has a child, and she is even happy to learn that Fred plans to remarry Chloé, his new partner. To convince the ecclesiastical authorities that their union was doomed from the start, the ex-spouses embark on an investigation into their shared past… an endeavor that soon brings back feelings they thought had long since faded. What initially seems like a simple bureaucratic formality quickly turns into an emotional journey filled with memories, missed opportunities, and unexpected intimacy. This charming family comedy, both tender and funny, explores the complexities of love, the surprises life can bring after a separation, and the power of second chances that can change everything. The latest feature film by Fabien Gorgeart (Diane Has the Right Shape, AF FFF18), a movie that combines finesse, warmth, and humor, thoughtfully examines the intricacies of human relationships and the possibilities of new beginnings. "
MMature themes, sex scenes and coarse language
From Warner Bros. Pictures and Academy Award- and BAFTA-winning filmmaker Emerald Fennell comes “WUTHERING HEIGHTS,” starring Academy Award and BAFTA nominee Margot Robbie opposite BAFTA nominee Jacob Elordi. A bold and original imagining of one of the greatest love stories of all time, Emerald Fennell’s “WUTHERING HEIGHTS” stars Margot Robbie as Cathy and Jacob Elordi as Heathcliff, whose forbidden passion for one another turns from romantic to intoxicating in an epic tale of lust, love and madness. The film also stars alongside Oscar nominee Hong Chau, Shazad Latif, Alison Oliver, BAFTA winner Martin Clunes and Ewan Mitchell. Fennell directs from her own screenplay based on the novel Wuthering Heights by Emily Brontë, and produces alongside Oscar nominee and BAFTA award winner Josey McNamara and Robbie. Oscar nominee Tom Ackerley and Sara Desmond are executive producing. Behind the scenes, Fennell worked with such frequent collaborators as Oscar- and BAFTA-winning director of photography Linus Sandgren, Oscar- and BAFTA-nominated production designer Suzie Davies, BAFTA-nominated editor Victoria Boydell, award-winning casting director Kharmel Cochrane and BAFTA-nominated composer Anthony Willis. Oscar and BAFTA winner Jacqueline Durran designed the costumes. Original songs by Charli xcx. Warner Bros. Pictures and MRC Present A Lie Still & LuckyChap Entertainment Production, a film by Emerald Fennell, “WUTHERING HEIGHTS.” Distributed by Warner Bros. Pictures, the film will be in Australian cinemas on February 12, 2026.