- OFFICIAL SELECTION: Festival de Cannes (Out of Competition - Based on the incredible true story and autobiography of Commander Mohamed Bida, 13 Days, 13 Nights is an intense and profound thriller. Kabul, August 15, 2021. As US troops prepare to withdraw from Afghanistan, the Taliban storm the capital and seize power, plunging the city into chaos. Thousands of Afghans flock to the last safe haven: the French Embassy, where Commander Mohamed Bida (Roschdy Zem, The Innocent) and his elite crew ensure security. Inside the compound, Bida and his team scramble to hold the line as the world outside descends into chaos. With the help of Eva (Lyna Khoudri, The French Dispatch) - a young French-Afghan humanitarian worker - they must negotiate with the Taliban to organize a convoy in a last-ditch attempt to evacuate. Thus begins a race against time to reach the airport and flee the hell of Kabul before it’s too late... With 13 Days, 13 Nights, director Martin Bourboulon (The Three Musketeers, Eiffel) has crafted a breathless, edge-of-your-seat experience that simply must be seen on the big screen.

After discovering a mysterious artifact buried beneath the Lunar surface, mankind sets off on a quest to find its origins with help from intelligent supercomputer H.A.L. 9000.

This exciting debut feature from Maël Piriou follows a delightful cast of characters on a road trip that will change their lives. Julia Piaton (also starring in Colours of Time) plays Mélanie, a gifted lawyer suffering from a terminal illness. Deciding it’s time to live life on her own terms, she convinces her old school friend Benjamin (Quentin Dolmaire, also starring in The Money Maker) to accompany her on a road trip to Spain. Joining them as their burly chauffer is Lucas (Grégory Gadebois, also starring in Jean Valjean), one of Mélanie’s clients who has recently been released from prison. In exchange for her legal services, Mélanie ropes him into taking the wheel. The unlikely trio embark on an unforgettable journey across stunning vistas that will lead them to understand more about themselves, and each other. Mélanie is driven by urgency, while Benjamin lingers over every detour, stretching out the miles in an attempt to somehow slow down the clock. What began as an impulsive getaway becomes a poignant exploration of friendship, intimacy, and the true meaning of independence. A Dash of Love is a tender and deeply human reminder for us to embrace joy while we can. This is a trip you will most certainly want to take!

After twenty years of devotion to her convent, Sister Lucie’s (Marilou Berry) quiet life is upended when she is separated from her sisterhood during a group outing. While trying to find her way home, she spots a familiar face on a television screen: her teenage sweetheart, now accused of a high-profile murder. Convinced of his innocence, she makes the impulsive decision to try to help him. Lucie’s disappearance has caused panic back at the convent, and the formidable Mother Superior Henriette (Isabelle Nanty, Amélie) sends two nuns to track her down and bring her back. A Nun in the City is a heartwarming, comedic story where faith, freedom and past love collide with surprising results.

Director Pascal Bonitzer (Maigret and the Dead Lover) brings this charming tale from the late Sophie Fillières brilliantly to life. French acting legend Fabrice Luchini plays popular performer Robert Zucchini, who has built his career on a stage act that lauds the works of the famous writer Victor Hugo. Robert’s bold reverence of Hugo’s ‘male genius’ doesn’t always play well with more enlightened modern audiences, and he finds himself not only at odds with a feminist theatre troupe, but with his adult daughter Lisbeth (Marie Narbonne, The Count of Monte Cristo), who has recently reappeared in his life. Robert wrestles with how art meets with politics - but more importantly, with his real-life relationships. Where he once took refuge in texts of the past, Lisbeth demands his presence in the moment. Little by little, with his daughter’s help, Robert begins to reconnect with his past, open up to others and relearn the practice of his craft. Pascal Bonitzer has crafted a slick, emotional, funny account of modern problems playing out on and off stage. Centred by a brilliant performance from the always-exceptional Fabrice Luchini, An Evening with Victor Hugo is a must-see at the 2026 Festival.

- OFFICIAL SELECTION: Festival de Cannes (Competition) - - CÉSAR AWARD WINNER: Best Actress – Léa Drucker - Léa Drucker took home the Best Actress César award for her performance in this gripping thriller from Dominik Moll (Only the Animals), selected for official competition at Cannes International Film Festival 2025. Drucker plays Stéphanie, an Internal Affairs police officer who is assigned the case of a young man severely wounded during a tense and chaotic demonstration in Paris. When she discovers that the victim hails from her hometown of Saint-Dizier, the case suddenly becomes far more personal. While nothing initially points to police misconduct, Stéphanie soon finds herself isolated in a system hellbent on protecting its own. With officers refusing to talk, Sophie turns to housekeeper and reluctant witness Alicia Mady (Guslagie Malanda, Saint Omer), whose testimony holds the key to the truth - but puts them both in danger. This compelling crime drama highlights themes of loyalty and justice that resonate long after the final scene, anchored strongly by Lea Drucker’s commanding role.

OPENING NIGHT OF FESTIVAL ONLY - Includes a welcome drink as part of the price. - OFFICIAL SELECTION: Festival de Cannes (Out of Competition) - Director Cedric Klapisch has crafted a genuine crowd pleasing story that blends the excitement, wonder and art of Belle Epoque France with present day themes around identity, legacy and connection. In 1895, young Adele (Suzanne Lindon) leaves Normandy for Paris, a city alive and buzzing with invention, photography and the rise of Impressionism. In the present day, her descendants inherit an unexpected legacy : a country side house in Normandy, abandoned for decades and suspended in time. Four of Adele’s descendants arrive to survey the Estate, and together end up piecing together the story of Adele’s unexpected life. Colours of Time is a charming and fascinating family saga, and is sure to be a hit at this year’s Festival. Book your opening night tickets now! OPENING NIGHT OF FESTIVAL ONLY - Includes a welcome drink as part of the price.

- OFFICIAL SELECTION: Toronto International Film Festival - - OFFICIAL SELECTION: San Sebastian Film Festival - Angelina Jolie turns in a career-best performance in this immaculate drama set in the high stakes fashion world. Taking place during the frenzy of Paris Fashion week, Jolie plays American filmmaker Maxine Walker, commissioned to direct a film for a prestigious label. After receiving sudden, life-changing news, Maxine crosses paths with two other women: Ada (Anyier Anei), a young South Sudanese model who has escaped her predetermined destiny to make a name for herself, and makeup artist Angéle (Ella Rumpf, Marguerite’s Theorem) who quietly dreams of a different life. While their backgrounds couldn’t be more different, the three women form a strong bond. Amid the glamorous scenes of haute couture, each must make choices small and significant, and confront major career decisions. Anchored by Jolie’s memorable portrayal, the intertwining journeys of these three women are supported by excellent turns from Louis Garrel (The Three Musketeers) and Vincent Lindon (Another World).

Elsa Zylberstein (Simone: Woman of the Century) and Didier Bourdon (The Scammers) star in this inventive time travel comedy that sharply explores societal roles. It’s 1958 in quiet suburbia. Hélène (Zylberstein) and Michel (Bourdon) live a simple but happy life with their two children. Michel works in a bank, while Hélène focuses her efforts on their home and family life. Through an unexpected and unlikely series of events, the couple find themselves catapulted into the 21st century. The year is 2025, and everything they know has changed. Hélène and Michel grapple with new technology, social rituals, and the frantic pace of modern life. Hélène now finds herself a successful bank manager and the sole breadwinner, while Michel has become the stay-at-home-husband. As they navigate this unfamiliar world, the pair must confront new ways of thinking, loving and living. Hélène and Michel are left wondering not how they will survive in their new reality, but whether they even want to... Propelled by hilarious performances from Zylberstein and Bourdon, Cycle of Time is a delightfully subversive comedy that will have you rediscovering the present through the eyes of two characters from a bygone era.

Direct from the world premiere in France comes De Gaulle: Tilting Iron. June 1940. France collapses and signs the Armistice. In the midst of the chaos, one man, Charles de Gaulle, refuses to give up. Taking the ultimate gamble he flees to London and seeks to convince the world that the battle for France is neither over or lost. What follows next is a triumphant story of faith, audacity and an unshakeable quest for freedom. Antonin Baudry has crafted a powerful and dramatic view of a man at the very centre of a turning point in history, on his path to becoming a 20th century leader and cultural icon. The reality of intense politics, family struggles and the impact of war are deftly drawn in this geopolitical thriller, which has been more than five years in the making. Sure to be a talking point of the Festival, don’t miss out on seeing this keenly anticipated film.

Based on the global hit video game created by KOTAKE CREATE, this mind-bending psychological thriller comes to cinemas on April 23 in Australia and New Zealand. A man becomes increasingly desperate when he finds himself trapped in an endless, sterile subway passageway with no way out. He finds a set of rules: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. When even a single mistake will send him back to the beginning, will he ever escape this purgatory?

Construction workers in London unearth an unexploded WWII bomb, forcing evacuation. Opportunistic thieves use the chaos as cover for an elaborate heist.

The classic 1939 film from celebrated producer David O Selznick returns to the big screen this May for limited screenings. A manipulative and petulant Southern belle carries on a turbulent romantic affair with a blockade runner during the American Civil War. The epic romance between the headstrong Scarlett O’Hara and the suave dashing rogue Rhett Butler still has all the sweeping scope and grandeur even after almost 90 years.

In this tense psychological thriller, Pierre Niney (The Count of Monte Cristo) delivers a chilling performance as a popular life coach with a dedicated following. Mathieu Vasseur (Niney) delivers electrifying seminars, promising empowerment and transformation to his loyal fanbase. But behind his carefully curated image lies a more sinister reality. As Vasseur’s reach grows, the bonds he forms with his followers tighten into chains of control. Self-growth is traded for emotional reliance, and subtle influence becomes total psychological domination. What began as a quest for enlightenment for all involved becomes a predatory hierarchy. As scrutiny from skeptics and the law pushes Vasseur’s organisation towards obsession and collapse, he faces the question: how far can he go before his promise of freedom becomes a prison? Niney’s outstanding turn is bolstered by the excellent supporting cast of Marion Barbeau, Anthony Bajon (Beating Hearts), Christophe Montenez (also starring in 13 Days, 13 Nights) and Holt McCallany (Mindhunter). Guru is a razor-sharp examination of power dynamics that masterfully explores the thin line between mentorship and manipulation. Already a box office hit in France with over $16 million USD at the box office, make sure you don’t miss it!

In “Hoppers,” scientists have discovered how to “hop” human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals! Using the new technology, Mabel (Curda) will uncover mysteries within the animal world that are beyond anything she could have imagined. Produced by Nicole Paradis Grindle, “Hoppers” also features the voices of Bobby Moynihan and Jon Hamm.

Victor Hugo’s masterpiece Les Misérables is one of the most beloved novels of the 19th century, and now the superb Grégory Gadebois has re-teamed with his Delicious writer/director Éric Besnard for this authentic and emotionally affecting retelling that charts the origin story of the tale’s legendary protagonist. 1815. Provence, France. In the peaceful village of Digne, rumour spreads that a dangerous man has entered the area; indeed, the hulking Valjean (Gadebois) has just been released from prison after nineteen years of hard labour. Branded a criminal and ostracised, Jean is repeatedly turned away. Desperate for a bed, he knocks at the door of the house of Monseigneur Bienvenu (Bernard Campan), who lives simply with his ailing sister (Isabelle Carré) and dedicated – but suspicious – servant (Alexandra Lamy). Without judgement, Bienvenu invites him in. And on this crucial night, Jean will face a choice that will define his future… With this superbly filmed exploration of justice, empathy and moral redemption, Besnard’s reflective and intimate drama – and Gadebois’ towering performance – bring new depth to Hugo’s hero, a spurned man transformed by kindness and compassion. Admirers of the source text and rich historical drama will not be disappointed by Jean Valjean.

From Eric Toledano and Oliver Nakache, the award-winning directors of The Intouchables and A Difficult Year comes Just an Illusion, a heartwarming and brilliant comedy set in the suburbs of Paris in 1985. The film follows Vincent (an incredible debut performance from Simon Boublil), a boy standing on the precipice of his 13th birthday and his Bar Mitzvah - a milestone that feels more like an identity crisis than a celebration. Vincent’s mother Sandrine (Camille Cottin, Three Friends) tries to hold the family together with her job as a secretary, while his father Yves (Louis Garrel, also starring in Couture) grapples with unemployment and a wounded ego. Caught between his parents’ frequent arguments and a distant older brother, Arnaud (Alexis Rosenstiehl), Vincent must find his own rhythm in a family that is out of sync. Simon Boublil is being hailed as a major discovery for his performance as Vincent, carrying this nostalgia soaked tale with a winning combination of vulnerability and dry humour. Meanwhile, French cinema stalwarts Cottin and Garrel deliver explosive but grounded chemistry. Directors Toledano and Nakache blend the infectious energy of a classic 80s soundtrack with their signature brand of heartfelt humour, for their most personal film to date. Book in quick to avoid disappointment!

- OFFICIAL SELECTION: Festival de Cannes (Opening Film) - Making waves in 2025 as the first-ever debut feature selected to open the Cannes Film Festival, Amélie Bonnin’s joyously entertaining musical romance stars break-out singer/songwriter Juliette Armanet as a talented Parisian chef forced to reconnect with her small-town upbringing during an unexpected trip home. Cécile (Armanet) – a fan-favourite Top Chef winner – is about to finally realise her dream and open her own restaurant when her father, the cook at a small rural truck stop, falls unwell. Cécile must deal with a return to her roots that is more complicated than she imagined; when she runs into her teenage first love (César Award-winner Bastien Bouillon), old memories and sensations resurface... and then her fiancé, who senses something’s wrong, shows up. Evocatively depicting regional France and the complications of family life with tenderness and wit, Leave One Day interweaves music naturally into the story, blending several classics with more recent hits by artists such as Stromae and Céline Dion. Armanet, herself one of France’s most popular contemporary artists, performed John Lennon’s “Imagine” during the Paris Olympic Games’ opening ceremony and proves to be a shining discovery, in this warm-hearted and completely endearing gem.

Following the break-out success of 2025 hit The Stolen Painting, acclaimed writer/director Pascal Bonitzer brings his unique perspective and panache to Simenon’s cherished Parisian detective - a French counterpart to Agatha Christie’s Poirot - as he attempts to solve the murder of a diplomat with a long-held secret. Inspector Maigret (four-time César nominee Denis Podalydès, in a tremendous performance) is urgently summoned to the Quai d’Orsay: a former ambassador has been found shot dead by his long-serving housekeeper (Anne Alvaro, The Taste of Others). But rather than contact the police, she has followed diplomatic protocols by first informing the Ministry of Foreign Affairs. Forewarned that he will find a series of salacious letters - and cautioned to be discrete - Maigret heads to the victim’s opulent apartment. He finds no forensic evidence at the crime scene, but certainly, the letters prove startling - secret, decades-spanning correspondence between the ambassador and the Princess of Vuynes, whose own husband, by strange coincidence, has also just died… Bonitzer, renowned for an intuitive and empathetic focus, finds a perfect match with a protagonist who relies on quiet observation. He delivers an absorbing, wholly compelling mystery that also serves as a thoughtful examination of modern life’s key concerns: hierarchy, aging, and the very different worlds that money creates. Best of all, the twist ending is… a killer.

ACT I Spring, 1789, at the Château de Coigny near Paris. Gérard, servant to the Countess de Coigny, mocks the aristocracy and their manners. Observing his father struggle with a piece of furniture, Gérard laments the suffering of all servants under their arrogant masters (“Son sessant’anni”). Maddalena, the Countess’s daughter, appears and Gérard realizes how much he loves her. Busy with preparations for a soirée that evening, the Countess scolds Maddalena for not yet being dressed. Maddalena complains to her servant, Bersi, about the discomfort of the current fashions and then runs out to change. Among the guests to arrive is Fléville, a novelist, who has brought with him the rising poet Andrea Chénier. After the Abbé relates the latest depressing news from Paris, Fléville enlivens the party with a pastorale he has written for the occasion. Maddalena then teases a reluctant Chénier into improvising a poem (“Un dì all’azzurro spazio”). Chénier scandalizes the guests with his criticism of the indifference of the clergy and the aristocracy to the suffering of the impoverished. The guests’ gavotte is interrupted by Gérard, who brings in a group of starving peasants. The Countess orders Gérard out along with the rabble. The guests are then invited to return to the gavotte, but they depart instead, and the Countess is left alone. ACT II Spring, 1794, along the Cours-la-Reine in Paris. The Revolution has begun, and the Reign of Terror is in full force. To fend off the Incredibile, a spy, Bersi pretends to be a daughter of the Revolution (“Temer? Perchè?”). The Incredibile is not deceived and notices that Chénier is waiting for someone in the Café Hottot. Chénier is joined by his friend Roucher, who has brought a passport so that Chénier may leave the country safely. Chénier says his destiny is to remain to find the love he has never had and to discover who has been writing him anonymous letters (“Credo a una possanza arcana”). A procession of dignitaries led by Gérard interrupts their conversation. The Incredibile takes Gérard aside to ask about the woman he is looking for. Gérard describes Maddalena to him. Meanwhile, Bersi asks Chénier to wait at the café for someone who wants to meet him. Maddalena appears and reveals to Chénier that it was she who wrote the letters. They pledge to love each other until death (“Ora soave”). The Incredibile, having seen Chénier and Maddalena together, brings Gérard to the scene. Gérard is wounded as Chénier defends Maddalena. Gérard, however, recognizes Chénier and sends him away, asking him to protect Maddalena. When the gathering crowd asks who wounded Gérard, he answers that his assailant was unknown. ACT III July 24, 1794, in the courtroom of the Revolutionary Tribunal. Mathieu, a revolutionary, is unsuccessfully urging the crowd to donate to the cause. Gérard, recovered from his wound, makes an impassioned plea for the motherland. Madelon, an old woman who has already lost her son and a grandson in the war, offers her last grandson as a soldier (“Son la vecchia Madelon”). As the crowd disperses, the Incredibile appears. If Gérard wants to have Maddalena, the Incredibile insists, he must first arrest her lover, Chénier. As Gérard writes the accusation, he is filled with remorse at the bloodshed he has caused in his rise to power. He concedes that his new master is passion (“Nemico della patria”). No sooner does he hand Chénier’s indictment to the court clerk than Maddalena appears. Gérard admits that he has laid a trap for her and that he loves her. Maddalena offers herself to Gérard if he will save Chénier. She has been a fugitive, her mother was killed in the Revolution and their home was burned (“La mamma morta”). Touched by her love for Chénier, Gérard promises to try to save him. The Tribunal convenes with an unruly mob in attendance. Chénier pleads for his life (“Sì, fui soldato”) and Gérard admits to the judges that the accusation he wrote was false. Nevertheless, Chénier is sentenced to death and taken away. ACT IV July 25, 1794, in the ruins of Paris’ St. Lazare prison. Chénier reads a final poem (“Come un bel dì di maggio”) to his friend Roucher, who then bids him a final farewell. Gérard and Maddalena are met by the jailer, Schmidt, whom Maddalena bribes with some jewels to allow her to take the place of another young woman sentenced to death. Gérard leaves to once again plead Chénier’s case with Robespierre. Maddalena tells Chénier she is there to die with him. As the day dawns, they share one final moment together (“Vicino a te”) before being taken to the guillotine.

American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.

ACT I Russia, 19th century. Autumn in the country. On the Larin estate. Madame Larina reflects upon the days before she married, when she was courted by her husband but loved another. She is now a widow with two daughters: Tatiana and Olga. While Tatiana spends her time reading novels, with whose heroines she closely identifies, Olga is being courted by their neighbor, the poet Lenski. He arrives unexpectedly, bringing with him a new visitor, Eugene Onegin, with whom Tatiana falls in love. Tatiana asks her nurse Filippyevna to tell her of her first love and marriage. Tatiana stays up all night writing a passionate letter to Onegin and persuades Filippyevna to have her grandson deliver it in the morning. Tatiana waits for Onegin’s response in the garden. He admits that he was touched by her declaration but explains that he cannot accept it and can only offer her friendship. He advises her to control her emotions, lest another man take advantage of her innocence. ACT II January. The local community has been invited to the Larin estate to celebrate Tatiana’s name day. Onegin has reluctantly agreed to accompany Lenski to what he mistakenly believes will be an intimate family celebration. Annoyed to find himself trapped at an enormous party and bored by the occasion, Onegin takes his revenge on Lenski by flirting and dancing with Olga. Lenski’s jealousy is aroused to such a height that he challenges Onegin to a duel. The party breaks up. Before the duel, Lenski meditates upon his poetry, upon his love for Olga, and upon death. Lenski’s second finds Onegin’s late arrival and his choice of a second insulting. Although both Lenski and Onegin are full of remorse, neither stops the duel. Lenski is killed. ACT III St. Petersburg. Having travelled abroad for several years since the duel, Onegin has returned to the capital. At a ball, Prince Gremin introduces his young wife. Onegin is astonished to recognize her as Tatiana and to realize that he is in love with her. Onegin has sent a letter to Tatiana. He arrives at the Gremin palace and begs her to run away with him. Tatiana admits that she still loves him, but that she has made her decision and will not leave her husband. Onegin is left desperate. —Reprinted courtesy of English National Opera

ACT I England, around 1650. Plymouth, a Puritan stronghold, is threatened by siege from the Royalist troops. Distant voices herald the wedding day of Elvira, daughter of Gualtiero, the fortress’s commander. Riccardo enters lamenting that his promised bride, Elvira, loves another man—a Stuart partisan. Her father will not force her to marry against her will, it seems, so Riccardo’s friend Sir Bruno urges him to devote his life to leading the parliamentary forces. Elvira tells her uncle, Giorgio, that she would rather die than marry Riccardo. Her uncle reassures her that he has persuaded her father to let her marry her lover, Arturo. Although Arturo is a Royalist, he is heralded as he approaches the castle. Everyone gathers for the wedding celebration and Arturo greets his bride. He learns that King Charles’s widow, Queen Enrichetta, is a prisoner in the castle and soon to be taken to trial in London. Alone with the queen, Arturo offers to save her even if it means his death. Elvira returns with the bridal veil and capriciously places it over Enrichetta’s head. When he is alone again with the queen, Arturo explains that the veil will provide the perfect disguise for escape from the castle. As they are about to leave, Riccardo stops them, determined to kill his rival. Enrichetta separates them and reveals her identity. Riccardo lets them get away, knowing this will ruin Arturo. The others return for the wedding, and Riccardo tells of Arturo’s escape with Enrichetta. Soldiers rush off in pursuit. Elvira, believing herself betrayed, is overcome by madness. ACT II The townsfolk mourn Elvira’s mental breakdown. Giorgio explains that she continues to long for Arturo. Riccardo arrives to announce that Arturo has been condemned to death by Parliament. The Puritans depart. Elvira wanders in, reliving her happy past. In her madness, she mistakes Riccardo for Arturo and dreams of her wedding. When she leaves, Giorgio tries to convince Riccardo to save Arturo. At first indignant, Riccardo is finally moved to help Elvira, and the two men unite in patriotism: if Arturo returns as a friend, he shall live—if as an armed enemy, he shall die. ACT III In Elvira’s garden, Arturo reveals that love for her has brought him back to Plymouth. He overhears her sing their old love song and is torn between his affection and his loyalty to the Stuarts. Elvira herself appears and Arturo reassures her that she is his only love. Soldiers rush in to arrest Arturo. Just then, a diplomat arrives with the news of the Royalists’ final defeat and a general amnesty for all the offenders. The shock of this news restores Elvira’s senses, and all rejoice in the peace as Elvira and Arturo embrace their new happiness.

ACT I Isolde, an Irish princess, is being taken to Cornwall aboard the ship of Tristan, whose uncle, King Marke, plans to marry her. She becomes enraged by a sailor’s song about an Irish girl, and her maid, Brangäne, tries to calm her. Isolde interrogates Tristan, but he replies evasively. His companion Kurwenal loudly ridicules the Irish women and sings a mocking verse about Morold, Isolde’s fiancé, who was killed by Tristan when he came to Cornwall to exact tribute for Ireland. Isolde, barely able to control her anger, tells Brangäne how the wounded Tristan came to her in disguise after his fight with Morold so that he could be healed by Isolde’s knowledge of herbs and magic, which she learned from her mother. Isolde explains to Brangäne that she recognized Tristan, but her determination to take revenge for Morold’s death dissolved when he pleadingly looked her in the eyes. She now bitterly regrets her reluctance to kill him and wishes death for him and herself. Brangäne reminds her that to marry a king is no dishonor and that Tristan is simply performing his duty. Isolde maintains that his behavior shows his lack of love for her, and asks Brangäne to prepare her mother’s death potion. Kurwenal tells the women to prepare to leave the ship, as shouts from the deck announce the sighting of land. Isolde insists that she will not accompany Tristan until he apologizes for his offenses. He appears and greets her with cool courtesy. When she tells him she wants satisfaction for Morold’s death, Tristan offers her his sword, but she will not kill him. Instead, Isolde suggests that she and Tristan make peace with a drink of friendship. He understands that she means to poison them both, but still drinks, and she does the same. Expecting death, they exchange a long look of love, then fall into each other’s arms. Brangäne admits that she has in fact mixed a love potion, as sailors’ voices announce the ship’s arrival in Cornwall. ACT II In the garden of Marke’s castle, Isolde waits impatiently for a rendezvous with Tristan, while distant horns signal the king’s departure on a hunting party. Isolde believes that the party is far off, but Brangäne warns her about spies, particularly Melot, a jealous knight whom she has noticed watching Tristan. Isolde replies that Melot is Tristan’s friend. She sends Brangäne off to stand watch and puts out the warning torch. When Tristan appears, she welcomes him passionately. They praise the darkness that shuts out the light of conventionality and false appearances and agree that they feel secure in the night’s embrace. Brangäne’s distant voice warns that it will be daylight soon, but the lovers are oblivious to any danger and compare the night to death, which will ultimately unite them. Kurwenal rushes in with a warning: the king and his followers have returned, led by Melot, who denounces the lovers. Moved and disturbed, Marke declares that it was Tristan himself who urged him to marry and choose the bride. He does not understand how someone so dear to him could dishonor him in such a way. Tristan cannot answer. He asks Isolde if she will follow him into the realm of death. When she accepts, Melot attacks Tristan, who falls wounded into Kurwenal’s arms. ACT III Back at his castle, the mortally ill Tristan is tended by Kurwenal. A shepherd inquires about his master, and Kurwenal explains that only Isolde, with her magic arts, could save him. The shepherd agrees to play a cheerful tune on his pipe as soon as he sees a ship approaching. Hallucinating, Tristan imagines the realm of night where he will return with Isolde. He thanks Kurwenal for his devotion, then envisions Isolde’s ship approaching, but the shepherd’s mournful tune signals that the sea is still empty. Tristan recalls the melody, which he heard as a child. It reminds him of the duel with Morold, and he wishes Isolde’s medicine had killed him then instead of making him suffer now. The shepherd’s tune finally turns cheerful. Tristan gets up from his sickbed in growing agitation and tears off his bandages, letting his wounds bleed. Isolde rushes in, and he falls, dying, in her arms. When the shepherd announces the arrival of another ship, Kurwenal assumes it carries Marke and Melot, and barricades the gate. Brangäne’s voice is heard from outside, trying to calm Kurwenal, but he will not listen and stabs Melot before he is killed himself by the king’s soldiers. Marke is overwhelmed with grief at the sight of the dead Tristan, while Brangäne explains to Isolde that the king has come to pardon the lovers. Isolde, transfigured, does not hear her, and with a vision of Tristan beckoning her to the world beyond, she sinks dying upon his body.

Michael is the cinematic portrayal of the life and legacy of one of the most influential artists the world has ever known. The film tells the story of Michael Jackson’s life beyond the music, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five, to the visionary artist whose creative ambition fueled a relentless pursuit to become the biggest entertainer in the world. Highlighting both his life off-stage and some of the most iconic performances from his early solo career, the film gives audiences a front-row seat to Michael Jackson as never before. This is where his story begins. Michael stars Jaafar Jackson in his feature film debut, Nia Long (Empire, The Best Man franchise), Laura Harrier (BlacKkKlansman, Spider-Man: Homecoming) and Juliano Krue Valdi (The Loud House, Arco), with Miles Teller (Top Gun: Maverick, Whiplash) and two-time Academy Award® nominee Colman Domingo (Sing Sing, Rustin). Directed by Antoine Fuqua, the award-winning filmmaker of Training Day, Olympus Has Fallen and The Equalizer franchise, from a screenplay by three-time Academy Award® nominee John Logan (Gladiator, The Aviator), the film is produced by Academy Award® winner Graham King (The Departed, Bohemian Rhapsody), John Branca (executive producer This Is It, Thriller 40) and John McClain (executive producer This Is It, Michael Jackson Live at Wembley July 16, 1988).

Based on the bestselling autobiography by Roland Perez, this exuberant and heartrending film pays tribute to a love like no other – a mother’s love for her child. In 1963, Roland is born to Esther, her sixth child in their close-knit Jewish immigrant family living in the Parisian suburbs. When Esther learns that Roland has been born with a club foot, she vows to ensure her son lives not just a normal life, but a fabulous one. She enlists the help of a determined specialist and the pop songs of Sylvie Vartan (who makes a cameo in the film) to help Roland defy all expectations and learn to walk. This joyful crowd-pleaser is vibrantly shot by Oscar-nominated cinematographer Guillaume Schiffman (The Artist) and features a powerhouse performance from Leïla Bekhti (Paris, je t’aime) as the fiercely devoted Esther. Once Upon My Mother absolutely smashed the French box office with over 1.5 million admissions, so is sure to be popular at this year’s Festival. Book your tickets now to avoid missing out!

Science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone.

Auteur Régis Wargnier (director of the Oscar-winning Indochine) returns to filmmaking for the first time in over a decade with the masterfully crafted globe-trotting drama Redress. Renowned chef Paskal Jankovski (Clovis Cornillac, A Little Something Extra) is moments away from announcing his third Michelin star when he suddenly vanishes. Disappearing alongside him is Antoine (Julien de Saint-Jean, Lie with Me), his trusted sous-chef. Paskal’s daughter Clara (Julia de Nunez) suddenly finds herself the inheritor of the family restaurant at just 20 years old. Once a paragon of Gallic gastronomic excellence, the establishment now faces an uncertain future. The void left by Paskal’s absence feels inescapable, while the mystery of his and Antoine’s disappearance remains unsolved. The enigma deepens when years later, traces of Paskal’s cooking style crop up at a restaurant in Taiwan. Clara must embark on a journey to find the truth about her father’s fate. A story that covers continents, cuisines and cultures, Redress is brought to life by strong performances and immaculate cinematography. You’ll be drawn in by the intriguing mystery, lush environments and variety of sumptuous dishes - just don’t see it on an empty stomach!

Experience the breathtaking scenery of the Camino de Santiago in this life-affirming drama centred on an unforgettable pairing of characters. Adam (a powerful performance from up-and-comer Julien Le Berre) is a teenager who’s lost and heading in the wrong direction. After a run-in with the law, a judge hands over a surprising sentence: he must walk the 800 kilometre Camino de Santiago to think about his future. Assigned to walk the path with Adam is Fred (an excellent-as-always Alexandra Lamy, Miss Violet), a tough and outspoken woman coming to terms with her own chequered history. The two begin a journey that could change their lives. The pair make an unlikely team; Fred is looking to heal from her past, while Adam is struggling to channel his anger and feelings of abandonment. With every mile travelled, they inevitably endure exhaustion, clashes and arguments. But among the points of tension are moments of peace. As the miles rack up, Fred and Adam begin to form a strong bond. Walking The Way, they each discover an inner strengh they didn’t know they had. Will it be enough to accomplish the goals they set out to achieve? Santiago: The Camino Therapy is an uplifting and inspirational story with gorgeous vistas that deserve to be seen on the big screen.

Haane Manahi of the 28th Māori Battalion is told that taking the German desert fortress of Takrouna will be a 'cakewalk'. But when the chain of command collapses under enemy fire, Haane leads a small group of Māori Battalion soldiers – all related, all cousins – up a precipitous cliff face and into the pages of history – where his Victoria Cross recommendation and its downgrade continue to echo throughout his descendants today. WWII. True story.

After being left at the altar in Rome, a man decides to go on his honeymoon alone.

This music-packed documentary tells the story of Pene Pati and his brother Amitai Pati, and their against-the-odds journey from Samoa to platinum-selling success in the trio Sol3 Mio and on to the world’s greatest opera stages. Bursting with humour, heart and soaring performances, the film reveals the resilience born of adversity, the richness of family and culture, and the rewards that come from following an unlikely dream.

"The viral internet sensation “The Amazing Digital Circus” comes to its long-awaited conclusion in a feature-length theatrical release! This “Last Act” combines episode 8 with the all new, hour long episode 9 for fans to see before anyone else in the world. With Caine gone and the circus dark, the cast are left with only the mistakes and traumas of their pasts to keep them company. As the prospect of eternity closes in around them, they discover the truth about the Digital Circus and its history.  Will they come to terms with what they uncover, or will they make… the other choice? Also, presumably at some point someone says something funny, because this ending can’t be THAT depressing, can it?"

Almost twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film. “The Devil Wears Prada 2” is produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and McKenna. The film debuts exclusively in cinemas April 30, 2026.

Lionel (Mescal) is a talented singer from rural Kentucky raised on the songs his father would sing on the front porch. In 1917, he leaves his family farm to attend the Boston Music Conservatory. There he meets David (O'Connor), a charming music composing student who is soon drafted into the end of the war. In 1920, the two spend a winter walking through the forests and islands of Maine, collecting folk songs in order to preserve them for future generations. Lionel drifts through Europe in his twenties and thirties, building a new life of profound success and happiness, and experiencing new loves. Yet he is constantly drawn back to memories of his brief time with David, trying to understand the impact of their relationship. Eventually, a reminder of their work together reveals why their connection rang loudest.

THE MAGIC FARAWAY TREE follows Polly and Tim and their children Beth, Joe and Fran – a modern family who find themselves forced to relocate to the remote English countryside. Soon after the family’s arrival in the countryside, the children discover a magical tree and its extraordinary and eccentric residents including treasured characters Moonface, Silky, Dame Washalot and Saucepan Man. At the top of the tree, they are transported to spectacular and fantastical lands and, through the joys and challenges of their adventures, the family learn to reconnect and value each other for the first time in years.

Based on an incredible true story, The Money Maker follows Jan Bojarski (Reda Kateb, The Extraordinary), a young Polish engineer taking refuge in France during World War II. Desperate to survive, he turns his talents to forging identity documents during the German occupation. Once the war ends, Jan still finds himself struggling to make ends meet. Stuck in underpaid jobs and denied citizenship, he is unable to patent his many inventions. Jan’s engineering expertise seems to be wasted, until a gangster recognises his skills and presents a risky opportunity - to produce counterfeit banknotes... So begins a thrilling and nail-biting series of events, as Jan begins to lead a double life. For over 15 years he runs a counterfeiting operation from his garden shed - unbeknownst to his family. Jan’s fakes are so precise he earns the moniker “the Cézanne of counterfeit money.” - but this also draws attention. Jan soon finds himself in the crosshairs of Inspector Mattéi (Bastien Bouillon, also starring in Leave One Day), one of France’s most determined detectives. Director Jean-Paul Salomé (The Godmother, The Sitting Duck) brings this fascinating and gripping tale to life, with an unforgettable performance from Reda Kateb as the man who shook the Bank of France. The film was a certified hit in France, with over 1.1 million admissions Make time for The Money Maker at this year’s Festival!

The enchanting new comedy of manners from acclaimed writer/director Grégory Magne (whose debut Perfumes was a success in the 2021 Festival), The Musicians stars Valérie Donzelli as a wealthy heiress whose plan to stage a landmark concert is derailed by the clashing egos of the virtuosos recruited for the performance. Astrid Thompson (Donzelli) is determined to honour her late industrialist father’s final wish: unite four priceless Stradivarius-stringed instruments for the premiere recital of a new composition by his favourite artist, to be live-streamed for music lovers globally. With just six days to rehearse, a quartet is assembled, but the dream quickly unravels: the musicians are at odds, blinded by their differences and prejudices, and seemingly incapable of working together. With the deadline fast approaching, Astrid tries to coax the reclusive composer of the score, Charlie Beaumont (Frédéric Pierrot), out from creative seclusion in the desperate hope of salvaging the event… As the film crescendos to a tender, exhilarating finale where harmony is found not only in music but human connection, The Musicians celebrates both the chaos and beauty of collaboration. Set amidst the villas, vineyards and chapels of the stunning Champagne region, with an exquisite original score by Grégoire Hetzel, this is sparkling entertainment for the heart (and ears).

- OFFICIAL SELECTION: Festival de Cannes (Director’s Fortnight) - This entertaining black comedy follows Mehdi (Sami Outalbali, Lucky Winners), a recent law graduate from a modest background spending the summer at his girlfriend’s luxurious family villa. He soon finds himself caught in an escalating class conflict between the entitled Trousselard family and their mistreated caretakers. Hoping to secure an internship at his girlfriend’s father’s prestigious law firm, Mehdi attempts to mediate between the two sides, only to be trapped in a spiralling conflict over money, power and pride. The Party’s Over! is a biting satirical portrait of class privilege with a sensational comic cast including Laure Calamy and recent César award-winner Laurent Lafitte.

- OFFICIAL SELECTION: Festival de Cannes (Out of Competition) - - CÉSAR AWARD WINNER: Best Actor – Laurent Lafitte - Few modern scandals have captivated France as the astonishing events surrounding Liliane Bettencourt, the billionaire heiress to the L’Oreal fortune and doyenne of Parisian society. Now writer/director Thierry Klifa has freely adapted the incredible story into a captivating dark comedy, featuring a jaw-dropping, tailor-made role for one of France’s most iconic stars. Marianne Farrère (Isabelle Huppert), the head of the Windler Group, is the richest woman in the world. Pierre-Alain Fantin (Laurent Lafitte, who won a César award for his performance) is a vivacious dandy, writer and photographer. After meeting on a photo shoot, the two quickly become inseparable. Their friendship surprises, amuses, intrigues, and eventually unsettles the billionaire’s entourage and family. Most of all, Marianne’s daughter (Marina Foïs) struggles with her mother’s sudden complicity with this younger man, but her husband (André Marcon) and loyal butler (Raphaël Personnaz) share her concerns. Surreptitious queries soon transition into a private investigation, resulting in extraordinary ramifications for all involved… With several twists too good to spoil, The Richest Woman in the World makes the most of its fabulous ensemble cast, but Huppert and Lafitte simply eat up the screen. This wildly entertaining film became an enormous box-office hit in France for good reason.

The film follows George Hardy (Jackman), a shepherd who loves his sheep and raises them only for their wool. Every night he reads aloud a murder mystery, pretending his sheep can understand, never suspecting that not only can they understand but they argue for hours afterwards about whodunnit. When George is found dead under mysterious circumstances, the sheep realize at once that it was a murder and think they know everything about how to go about solving it. The local cop Tim Derry (Braun), on the other hand, has never solved a serious crime in his life, so the sheep conclude they will have to solve it themselves, even if it means leaving their meadow for the first time and facing the fact that the human world isn’t as simple as it appears in books.

One week after a chaotic presidential election, France urgently needs a new Prime Minister. A hapless but ambitious young parliamentary assistant (Jean Chevalier) has a plan: convince his retired and highly erratic politician father (François Cluzet, The Intouchables) to return from exile and seize the top job. What follows is a breakneck political comedy that transforms into a razor-sharp portrait of power, ambition, and the flexibility of principle. With The Son Of, former political journalist Carlos Abascal Peiró makes an audacious debut, dynamically navigating the treacherous corridors of the French Republic, his camera stalking the backrooms where ideology evaporates and egos dominate, capturing politicians, fixers and media operators engaged in verbal warfare with astonishing ferocity. Filmed before France’s current political turmoil, the narrative hums with uncanny and prophetic resonance. Think Veep with a distinctly Gallic accent; anyone appreciative of Armando Iannucci’s savage political dissections and Succession will find much to savour here. Newcomer Chevalier is perfectly cast as the slippery modern opportunist, supported by an hilarious, never-better Cluzet’s reluctant patriarch, Karin Viard’s irresistible party operative and Alex Lutz (The Stolen Painting) rounding out a stellar ensemble. Sharp, unsparing, and mischievously satisfying, The Son Of is a winning satire.

- OFFICIAL SELECTION: Venice International Film Festival - - CÉSAR AWARD WINNER: Best Supporting Actor – Pierre Lottin - The superb new drama from multi award-winning writer/director François Ozon (Swimming Pool, 8 Women, Under the Sand), The Stranger is a gripping adaptation of Albert Camus’ landmark novella about a detached young expatriate on trial for murder in French-colonised Algeria. Summer, 1938. Meursault (Benjamin Voisin, Lost Illusions), a quiet and unassuming clerk in his early thirties, attends his mother’s funeral. The next day he begins a casual affair with Marie (Rebecca Marder), a colleague randomly encountered at the local baths, and quickly slips back into routine. However, daily life is soon disrupted by his volatile neighbour (an excellent Pierre Lottin, who won a César award for his performance), who draws Meursault into a dispute involving an ex-lover. And then, one blisteringly hot afternoon, an inexplicable event occurs on a beach, one that will see Meursault’s very moral standing brought to question… Visually resplendent with sensuous black-and-white imagery, Ozon’s elegant and masterfully realized film shines a contemporary lens on Camus’ classic tale of dissociation and morality, capturing the beauty and heat of a charged society on the boil. Both impactful and mysterious, The Stranger is one of the major highlights of this year’s Festival and should not be missed.

The Super Mario Galaxy Movie is an animated film based on the world of Super Mario Bros., and follows The Super Mario Bros. Movie, which was released in 2023 and earned more than $1.3 billion worldwide. Both the 2023 film and The Super Mario Galaxy Movie are produced by Chris Meledandri of Illumination and Shigeru Miyamoto of Nintendo. The film will be co-financed by Universal Pictures and Nintendo and will be released worldwide by Universal Pictures. The Super Mario Galaxy Movie is directed by returning filmmakers Aaron Horvath and Michael Jelenic, from a screenplay by returning screenwriter Matthew Fogel, with Brian Tyler returning to compose the score.

How did a city rubbish dump transform into a collection of gardens that is now a major visitor attraction? The story of how Hamilton Gardens became a unique museum of humanity, showcasing gardens from ancient Egypt to the surreal future, is told on screen. A Museum of Humanity: The Time Traveller’s Guide to Hamilton Gardens documentary explores this stunning achievement. Each of the gardens reflects the beliefs, lifestyles, and values of those who created them. The viewer can travel backwards and forwards in time – moving from 16th-century England, back to Song Dynasty China, Ancient Egypt, and the Italian Renaissance, and forward to the future, from sustainable to surreal. Masterminded by designer Peter Sergel and developed with council, community support, and sponsorship, Hamilton Gardens is now recognised as one of the great gardens of the world. More than places to walk, these gardens are living histories, waiting to be explored. Directed by Grant Sheehan and featuring Peter Sergel, Mark de Lisle, John Dobson, Lucy Ryan, Gus Flower, Alice Gwilliam, and Glen Morris.

When Jules joins her new boyfriend on a New Year’s Eve getaway with his old high school mates, she’s looking to get some peace and quiet, smoke a bit of weed, and make some new friends. But when the holidaymakers stumble across their host’s long-forgotten stash of ancient weed, things quickly take a turn for the nightmarish. By the time they figure out the weed’s strange effect - an insatiable hunger for human flesh - it’s too late, and the four would-be friends become accidental cannibals. Their efforts to cover up their crime trigger a darkly comic spiral of panic, blame, and even more cannibalism that Jules is determined to survive - even if she’s the only one.

A heart-pounding combination of action, music and incredible aerial photography helped make Top Gun the blockbuster hit of 1986. Top Gun takes a look at the danger and excitement that awaits every pilot at the Navy's prestigious fighter weapons school. Tom Cruise is superb as Lt. Pete "Maverick" Mitchell, a daring young flyer who's out to become the best. And Kelly McGillis sizzles as the civilian instructor who teaches Maverick a few things you can't learn in a classroom. - After more than thirty years of service as a top naval aviator, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot. Yet, Maverick must confront the ghosts of his past when he returns to TOP GUN to train a group of elite graduates and comes face-to-face with Lt. Bradshaw (Miles Teller), the son of his former wingman, "Goose". Bitter rivalries ignite as the pilots prepare for a specialized mission, which will require the ultimate sacrifice from those chosen to fly it.

After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: “Rooster,” the son of Maverick’s late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka “Goose”. Facing an uncertain future and confronting the ghosts of his past, Maverick is drawn into a confrontation with his own deepest fears, culminating in a mission that demands the ultimate sacrifice from those who will be chosen to fly it.

In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.

What is Love? is an uplifting and comedic examination of relationships and new beginnings, brought to life by an all-star cast. Marguerite (Festival favourite Laure Calamy, How to Make a Killing) has long since moved on from her ex-husband Fred (Vincent Macaigne, also starring in Colours of Time), having established a new life with a different partner and a teenage daughter. Fred has also put the past behind him, intending to marry Chloé (Mélanie Thierry, Suddenly), the woman with whom he now shares his life. When Fred asks for Marguerite’s help in obtaining an annulment of their marriage from the Catholic Church, she is only too happy to oblige. However, the process turns out to be far more than a simple paperwork exercise, and the pair find out they must prove their union was doomed from the beginning. What begins as an administrative task soon becomes a deeply personal odyssey through their shared past. As Marguerite and Fred navigate old memories and rediscover genuine affection - as well as the tensions that broke them - long-buried feelings begin to surface. This charming and perceptive family comedy examines the complicated aftermath of breakups, featuring stellar performances from all involved.