2040 is an innovative feature documentary that looks to the future, but is vitally important NOW. Award-winning director Damon Gameau embarks on journey to explore what the future would look like by the year 2040 if we simply embraced the best solutions already available to us to improve our planet and shifted them into the mainstream. Structured as a visual letter to his 4-year-old daughter, Damon blends traditional documentary footage with dramatized sequences and high-end visual effects to create a vision board for his daughter and the planet.
R13Offensive Language Sexual References
Hailed as the UK’s most influential comedian of all time, legendary Scot Billy Connolly is coming to cinemas with this brilliant show from his final stand-up tour. Recorded in 2015, during the Australian leg, this whip-smart routine is a riotous journey filled with outrageous tales and blistering observations of everyday absurdities. Screening as a special one-night-only event, Connolly will also muse upon his career, life and legacy in a deeply personal interview filmed exclusively for cinema audiences.
Prior to retiring in 2016 following his diagnosis with Parkinson's Disease, Connolly toured worldwide continuously for 50 years, performing to an audience of over 10 million. The Sex Life of Bandages is a big-screen tribute to an iconic funny-man whose sharp wit and anarchic storytelling is still as hilarious as ever.
Made with the assistance of Sydney Opera House Trust.
Having spent most of her life exploring the jungle with her parents, nothing could prepare Dora (Isabela Moner) for her most dangerous adventure ever – High School. Always the explorer, Dora quickly finds herself leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle inhabitant (Eugenio Derbez), and a rag tag group of teens on a live-action adventure to save her parents (Eva Longoria, Michael Peña) and solve the impossible mystery behind a lost city of gold.
You are cordially invited to return to Downton Abbey. Only in theaters 2019. #DowntonAbbeyFilm
The television series Downton Abbey followed the lives of the Crawley family and the servants who worked for them at the turn of the 20th century in an Edwardian English country house. Over its 6 seasons, the series garnered 3 Golden Globe Awards, 15 Primetime Emmy Awards, 69 Emmy nominations in total, making Downton Abbey the most nominated non-US television show in the history of the Emmys - even earning a Special BAFTA award and a Guinness World Record for the highest critically rated TV show along the way.
MViolence Offensive Language
Gemini Man is an innovative action-thriller starring Will Smith as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move. The film is directed by Academy Award®-winning filmmaker Ang Lee and produced by renowned producers Jerry Bruckheimer, David Ellison, Dana Goldberg and Don Granger. Also starring are Mary Elizabeth Winstead, Clive Owen and Benedict Wong.
R16Violence, cruelty & offensive language
Warner Bros. Pictures’ “Joker” stars Oscar nominee Joaquin Phoenix in the title role, alongside Oscar winner Robert De Niro, and is directed, produced and co-written by Oscar nominee Todd Phillips. “Joker” centers around the iconic arch nemesis and is an original, standalone story not seen before on the big screen. Phillips’ exploration of Arthur Fleck, a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale.
MDrug use & offensive language
Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.
Maiden is the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989. Tracy’s dream was opposed on all sides: her male competitors thought an all-women crew would never make it, the chauvinistic yachting press took bets on her failure, and potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew she went on to shock the sport and prove that women are the equal of men.
PGViolence Scary Scenes
The complex relationship of Maleficent and Aurora continues to be explored as they face new threats to the magical land of the Moors.
Handel’s tale of intrigue and impropriety in ancient Rome receives its first Met performances, with star mezzo-soprano Joyce DiDonato as the controlling, power-hungry Agrippina and Harry Bicket conducting. Sir David McVicar’s production ingeniously reframes the action of this black comedy about the abuse of power to “the present,” where it should loudly resonate. The all-star cast features mezzo-soprano Kate Lindsey as Agrippina’s son and future emperor Nerone, soprano Brenda Rae as the seductive Poppea, countertenor Iestyn Davies as the ambitious officer Ottone, and bass Matthew Rose as the weary emperor Claudius.
Director Phelim McDermott tackles another one of Philip Glass’s masterpieces, following the now-legendary Met staging of Satyagraha. Star countertenor Anthony Roth Costanzo is the title pharaoh, the revolutionary ruler who transformed ancient Egypt, with the striking mezzo-soprano J’Nai Bridges in her Met debut as his wife, Nefertiti. To match the opera’s hypnotic, ritualistic music, McDermott has created an arresting vision that includes a virtuosic company of acrobats and jugglers. Karen Kamensek conducts in her Met debut.
The great bass-baritone Sir Bryn Terfel returns to the company for the first time since 2012, in the title role of the cursed sea captain doomed to sail the open ocean for eternity. Valery Gergiev conducts a new production by François Girard, whose visionary 2013 take on Parsifal set the recent Met standard for Wagner stagings. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. The gifted German soprano Anja Kampe, in her Met debut, is the devoted Senta, whose selfless love is what the Dutchman seeks, with bass Franz-Josef Selig as her father, Daland, and tenor Sergey Skorokhodov as her deserted former lover, Erik.
Leading sopranos Hui He and Ana María Martínez share the heartbreaking title role of the doomed geisha, with tenors Piero Pretti and Andrea Carè as the American naval officer who abandons her. The great Plácido Domingo makes his role debut as Sharpless, alternating with Paulo Szot and Markus Brück. Pier Giorgio Morandi is on the podium for Anthony Minghella’s sweeping production, a perennial audience favorite.
Exhilarating soprano Lisette Oropesa stars as the irresistible title character, the tragic beauty who yearns for the finer things in life, in Laurent Pelly’s revealing production. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves their undoing. Maurizio Benini conducts Massenet’s sensual score.
Soprano Diana Damrau, following her triumph as Violetta in last season’s new production of Verdi’s La Traviata, stars as the martyred Mary, Queen of Scots, in Donizetti’s bel canto showcase. Star mezzo-soprano Jamie Barton is her imperious rival Queen Elizabeth I, and the silken-voiced tenor Stephen Costello is the noble Earl of Leicester. Maurizio Benini conducts Sir David McVicar’s handsome production.
One of America’s favorite operas returns to the Met for the first time in nearly 30 years. James Robinson’s stylish production transports audiences to Catfish Row on the Charleston waterfront, vibrant with the music, dancing, emotion, and heartbreak of its inhabitants. “If you’re going to stage Gershwin’s opera, this is how,” raved the Guardian when the new production premiered in London in 2018. David Robertson conducts a dynamic cast, featuring the sympathetic duo of Eric Owens and Angel Blue in the title roles and an all-star ensemble that includes Golda Schultz, Latonia Moore, Denyce Graves, Frederick Ballentine, Alfred Walker, and Ryan Speedo Green.
Soprano Anna Netrebko, whom the New York Times hailed as “magnificent” when she made her role debut as Tosca in 2018, returns as Puccini’s explosive diva, back by popular demand. Tenors Najmiddin Mavlyanov and Brian Jagde alternate as the idealistic painter Cavaradossi, and baritones George Gagnidze and Michael Volle complete the opera’s fatal love triangle as the sinister Scarpia. Bertrand de Billy conducts Sir David McVicar’s stunning production.
Two of opera’s most thrilling dramatic sopranos, Christine Goerke and Nina Stemme, reprise their fierce portrayals of the title princess. Yannick Nézet-Séguin takes the podium to conduct Franco Zeffirelli’s dazzling production of Puccini’s final masterpiece, which also features tenors Roberto Aronica and Marco Berti as Calàf, sopranos Eleonora Buratto and Hibla Gerzmava as Liù, and bass-baritones James Morris and Nicolas Testé as Timur.
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary visual imagination on Berg’s other operatic masterpiece, set in an apocalyptic pre–World War I environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, with baritone Peter Mattei making his highly anticipated role debut as the title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
PGViolence & scary scenes
A species of creatures called Thoriphants rebel against their life of servitude to mankind and embark on a treacherous journey.
R13Graphic Violence Drug Use Offensive Language Sexual Material
Through comic mayhem that stretches from the White House and through the heartland, the Zombie slayers must face off against many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.