Two-time Oscar winner Jodie Foster, in her first major French-language role, stars as psychiatrist Lilian Steiner, who refuses to believe the death of her patient Paula (Virginie Efira) was a suicide. Determined to uncover the truth, Lilian begins her own investigation, drawing suspicion toward Simon (Mathieu Amalric) and pushing far beyond her professional limits. With help from her ex-husband Gabriel (Daniel Auteuil) and a hypnotist whose sessions trigger unsettling visions, Lilian is plunged into a labyrinth where memory, intuition and doubt collide, bringing her closer to the truth - or deeper into danger. A Private Life is a sharp, stylish psychological thriller blending tension, dark humour and intrigue, premiering at the 2025 Cannes Film Festival to great acclaim. THIS FILM IS SCREENING BOTH FROM 14TH MAY AS WELL AS FROM 28TH MAY AS PART OF OUR FRENCH FILM FESTIVAL

Stéphanie (Léa Drucker) is an investigator with the French National Police assigned to Case 137 after a young man is left in critical condition from a rubber bullet fired during a Paris demonstration. As she digs deeper, reviewing footage and questioning officers, she runs into the blue wall of silence protecting the institution. Her only support comes from a chambermaid and reluctant witness (Guslagie Malanda) whose testimony could unlock the truth - but puts them both at risk of retaliation. Torn between loyalty and justice, Stéphanie becomes increasingly isolated within a system determined to protect its own. A Palme d’Or nominee and four-time Lumière Award nominee, Case 137 is a tense, gripping portrait of one woman’s search for truth inside an institution built on silence.

In 2025, nearly 30 people unexpectedly discover they are connected by one shared ancestor, Adèle Meunier (Suzanne Lindon). The legacy awaiting them is unusual: a countryside home in Normandy, abandoned for decades and suspended in time. As Seb (Abraham Wapler), Abdel (Zinedine Soualem), Céline (Julia Piaton) and Guy (Vincent Macaigne) begin uncovering traces of Adèle’s life, the story opens onto 1895 Paris, alive with invention, early photography and the rise of Impressionism. Moving between 2025 and 1895, with the past mirroring the present, the story gently challenges ideas of identity, legacy and the future we carry without even knowing it. With Colours of Time, director Cédric Klapisch fashions a sensitive and luminous family saga, connecting the great history of the 19th century to contemporary questions and the invisible ties that shape us across generations.

In Paris, at the heart of Fashion Week, Maxine (Angelina Jolie), an American filmmaker commissioned to direct a film for a prestigious fashion house, receives sudden news that destabilises her world. Her path soon crosses with two other women: Ada (Anyier Anei), a young South Sudanese model determined to carve out her place in Paris, and Angèle (Ella Rumpf, Marguerite’s Theorem), a French makeup artist quietly dreaming of a different life. Between these three women from vastly different backgrounds, an unexpected solidarity begins to take shape. Following their intertwined journeys through a world as captivating as it is ruthless, COUTURE reveals vulnerabilities, aspirations, and the quiet power of women bound together.

A sharp, funny and delightfully subversive leap through time, Cycle of Time follows Hélène (Elsa Zylberstein) and Michel (Didier Bourdon), living a quiet family life in a small 1950s French town, when a sudden twist catapults them - and their two children - into 2025. Everything familiar has vanished - technology, social codes and the pace of life . As they confront new ways of thinking & living, the question becomes not just how they will adapt - but whether they even want to. With humour, charm and an eye for social detail, Cycle of Time invites us to rediscover the present through the eyes of two people from another era, asking: when the future arrives without warning, what do we hold onto - and what do we let go?

This highly engaging film takes us on a journey through the life of one of the most prevalent female icons: Frida Kahlo. She was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided with interview, commentary and Frida’s own words, EXHIBITION ON SCREEN uncovers that this, however, was not a life defined by tragedy. Featuring key exhibitions and interviews with world-renowned Kahlo curators, EXHIBITION ON SCREEN explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida Kahlo. Using cinema to take an up-close and intimate look at her works we examine how great an artist she can be considered. Displaying a treasure trove of colour and a feast of vibrancy on screen, this personal and intimate film offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage. We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman?

The Fly Fishing Film Tour (F3T) is proud to celebrate its 20th anniversary in 2026, marking two decades of unforgettable stories, breathtaking landscapes, and a community bound by a passion for fly fishing. This milestone year promises to be a landmark event, as the tour kicks off with a fresh collection of the finest fly fishing films from across the globe.

As people search for a personal compass, Matthieu (Pierre Niney - Yves Saint Laurent) has become France’s most followed personal development coach, drawing huge crowds with promises of clarity, empowerment and transformation. But behind the polished image, something darker is taking shape. As his influence grows, so does his hold over his followers. Emotional dependence replaces self-discovery, and persuasion slips into control. Directed by Yann Gozlan (Black Box), Guru follows Matthieu as his loyal inner circle grows and scrutiny from critics and authorities intensifies. His rise becomes increasingly perilous, tipping into obsession, manipulation and collapse. How far can a guru go before his promise of liberation becomes a loss of freedom?

Never-before-seen footage, exclusive voice messages, and accounts from Jeff Buckley's inner circle paint a captivating portrait of the gifted musician who died tragically in 1997, having only released one album.

An intimate documentary following Johnson's journey from surfer to filmmaker to world-renowned musician through rare archives and present-day reflections on how experience, friendship, and exploration shaped his sound and stories.

From Grégory Gadebois (the much-loved star of Delicious) and director Éric Besnard (Delicious) comes a powerful and deeply human reimagining of Victor Hugo’s Les Misérables. Stripping back the spectacle, this is the story of the man at its centre — and the moment that changed everything. Fresh from nineteen years in prison, Jean Valjean arrives in a small Provençal town, feared and rejected wherever he goes. One act of unexpected kindness offers him a choice that will shape the rest of his life. Superbly filmed, this exploration of justice, empathy and moral redemption is elevated by Gadebois’ towering performance. A spurned man transformed by compassion, Valjean feels newly alive here — a timeless story, told with clarity, heart and real emotional weight.

Academy Award-winner Helen Mirren - who launched NT Live starring in Phédre in June 2009- plays Queen Elizabeth II in the critically acclaimed and Tony Award®-winning production of The Audience returns to cinemas on Monday, June 3. Captured live from London’s West End in 2013, this play takes viewers into the private weekly meetings between Queen Elizabeth II and her prime ministers over a period of 60 years – from Winston Churchill to Margaret Thatcher and beyond. The creative team, Peter Morgan and Stephen Daldry have gone on to have another royal success with the television program, The Crown, since The Audience was first presented.

One summer evening, Suzanne (Juliette Armanet) arrives unannounced at her sister Jeanne’s home with her two young children. The visit is unsettling. The sisters have not seen each other for months, and Suzanne seems distant, unreadable and quietly troubled. The next morning, Jeanne (Camille Cottin - Killing Eve) wakes to find her sister gone, leaving behind only a farewell letter and her two children. Suddenly responsible for her niece and nephew, Jeanne must put her own life on hold and confront the silence Suzanne leaves behind. Directed by Nathan Ambrosioni, Out of Love is a deeply affecting family drama about sisterhood, absence and what it means to be there for those we love, even when they choose to leave.

Our Showtime Luncheon includes a light luncheon of fresh fish & chips from local Avoca Beach Seafoods, tea, cake & coffee followed by the film of the month. BOOKINGS ESSENTIAL for catering & close at 12pm the day before the event. The estranged children of a once-famous artist hire a forger to complete his unfinished works so they can be "discovered" and sold after his death.

Join us for fish & chip, coffee and cake, and a screening of The Devil Wears Prada 2 Almost twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film. “The Devil Wears Prada 2” is produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and McKenna. The film debuts exclusively in cinemas April 30, 2026.

Almost twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film. “The Devil Wears Prada 2” is produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and McKenna. The film debuts exclusively in cinemas April 30, 2026.

In the early hours of 20 May 2010, five priceless paintings vanish from the Museum of Modern Art in Paris. Inspired by the real, unsolved theft, THE FRENCH JOB imagines what might have happened to the missing works. At the centre is Yonathan (Melville Poupaud), a luxury watch expert whose polished, predictable life is thrown off course when he meets Éric (Sofiane Zermani), a charismatic con man with a talent for chaos. Things spiral further when Jo (Steve Tientcheu), a brilliant but volatile thief, pulls off a daring museum heist. Fast, funny and fuelled by absurdity, this offbeat caper delivers sharp twists, dark humour and a wildly inventive take on one of the century’s most infamous art robberies. Winner of the Special Jury Prize at the 2025 Alpe d’Huez International Comedy Film Festival.

Claes Bang (The Square) leads this sharp, darkly comic and thought-provoking true story from director Stéphane Demoustier. Paris, 1982. To everyone’s surprise, an unknown Danish architect wins the competition to design the Great Arch of La Défense — a building to match and complement the Louvre and the Arc de Triomphe. His bold, modern vision quickly becomes the talk of the city. What follows is a fascinating clash between creativity and compromise, as politics, budgets and egos begin to reshape the dream, forcing the couple to question whether the pursuit of perfection is worth the emotional and physical toll. Alongside his steadfast partner (the marvellous Sidse Babett Knudsen), the question becomes unavoidable. Stylish, intelligent and quietly gripping — a story that stays with you and sparks conversation long after.

Based on the true story of Jan Bojarski, known as the “Cézanne of counterfeit money,” The Money Maker stars Reda Kateb (Zero Dark Thirty) as a gifted Polish engineer who takes refuge in France during WWII, forging false identity papers during the German occupation. But when the war ends, freedom brings little stability. Trapped in poorly paid jobs and denied official civil status, Jan is unable to register the patents for his inventions. His brilliance remains invisible until a gangster spots his talent and offers him a dangerous new role: producing counterfeit banknotes. But perfection attracts attention, and Jan soon finds himself on the radar of Inspector Mattei (Bastien Bouillon). Directed by Jean-Paul Salomé, this is a true-life, gripping thriller of ingenuity, obsession and deception.

Isabelle Huppert leads this sharp, darkly comic tale inspired by one of France’s most astonishing real-life scandals — the billionaire heiress to the L’Oréal fortune and doyenne of Parisian society meets Pierre-Alain Fantin (Laurent Lafitte, The Count of Monte Cristo), a vivacious dandy, and the two quickly become inseparable. Their friendship surprises, amuses and increasingly unsettles those around them — a relationship where influence grows and boundaries begin to blur. As questions surface and loyalties shift, the consequences become impossible to ignore. Stylish, witty and deliciously entertaining, this is a story of power, privilege and persuasion. With twists too good to spoil, this wildly entertaining film became a major box-office hit in France for good reason.

In this witty, new breed of mystery, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night, assuming they can’t possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realise they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers

The superb new film from multi-award winning writer/director François Ozon ('Swimming Pool', '8 Women', 'Under the Sand'), THE STRANGER is a gripping adaptation of Albert Camus’ landmark novella about a detached young expat under trial for murder in French-colonised Algeria. Summer, 1938. Meursault (Benjamin Voisin, 'Lost Illusions'), a quiet and unassuming clerk in his early thirties, attends his mother’s funeral. The next day, he begins a casual affair with Marie (Rebecca Marder), a colleague randomly encountered at the local baths, and quickly slips back into routine. However, daily life is soon disrupted by his volatile neighbour (an excellent Pierre Lottin, My Brother’s Band), who draws Meursault into an altercation involving an ex-lover. And then, one blisteringly hot afternoon, an inexplicable event occurs on a beach, one that will see Meursault’s very moral standing brought to question… Visually resplendent with sensuous black-and-white images, Ozon’s elegant and masterfully realised film shines a contemporary lens on Camus' classic tale of dissociation and morality, capturing the beauty and heat of a charged society on the boil. Both impactful and mysterious, THE STRANGER is must-see French cinema of the highest order.

CELEBRATE WARREN MILLER’S 76TH ANNUAL SKI FILM “SNO-CIETY,” celebrates the community and culture of snowsports, proving winter is more than just snow. From the Scottish Highlands and the streets of Finland to the back bowls of Whitewater, BC and a local hill-turned-terrain park in downtown Denver, Warren Miller’s SNO-CIETY celebrates the spirit of winter—wherever you ride, and however you connect to the snow and the community around it. Through the lens of Olympians, urban riders, and local legends, we uncover what drives us to chase powder year after year. Featuring Judd Henkes’ double life between surf and snow, Britta Winans’ resilient season on the Freeride World Tour, the frenzy of the Saalbach World Championships, and a shared mountain spirit that stretches from Tuckerman Ravine to Cairngorms National Park, SNO-CIETY explores the many ways we connect on snow—and with each other. Tickets are now on sale!

Marguerite (Laure Calamy, How to Make a Killing) sees no reason to refuse her ex-husband Fred (Vincent Macaigne, Three Friends) when he asks for an official Catholic Church annulment of their marriage. They share a child, she has rebuilt her life with a new partner and teenage daughter, and she is genuinely pleased to learn that Fred hopes to marry Chloé. To satisfy the Church authorities, the former spouses must prove that their marriage was destined to fail. What starts as a simple formality turns into an unexpected emotional journey, as old memories, moments of tenderness and the cracks that once separated them resurface. WHAT IS LOVE? explores love’s complexities with humour and heart, leaving you with a smile as you exit the cinema.

Warwick Thornton's 'Wolfram' unfolds in 1932 Central Australia and is the follow-up film to his acclaimed 'Sweet Country' (2017). Aboriginal children are forced into "wolfram" (tungsten) mining until violence entangles them with ruthless outlaws. At the heart of the story is Pansy (Deborah Mailman) who is longing for her stolen children. A tightly wrought frontier western rooted in real family history, 'Wolfram' sees Aboriginal siblings Max and Kid forced to work in the mines under Billy's control. When Billy dies suddenly, Max is kidnapped by outlaws Frank and Casey, while Kid refuses to let him go. At Kennedy's station, the brothers encounter Philomac, the boy from 'Sweet Country' (2017), now older and indentured. Brought together by circumstance, the three seize a fragile chance to escape before dawn, pursued by Kennedy and the outlaws in a relentless chase across the desert. Along the way they find temporary refuge with Chinese miners Shi and Jimmi. At the story's emotional core is Pansy, a mother longing for the return of her lost generation. 'Wolfram' is a taut western of kinship, survival and colonial reckoning in the Central Desert.