A man stranded in the Arctic is finally about to receive his long awaited rescue. However, after a tragic accident, his opportunity is lost. He must then decide whether to remain in the relative safety of his camp or to embark on a deadly trek through the unknown for potential salvation.

Julian Schnabel’s ravishingly tactile and luminous new film takes a fresh look at the last days of Vincent van Gogh, and in the process revivifies our sense of the artist as a living, feeling human being. Schnabel; his co-writers Jean-Claude Carrière and Louise Kugelberg, also the film’s editor; and cinematographer Benoît Delhomme strip everything down to essentials, fusing the sensual, the emotional, and the spiritual. And the pulsing heart of At Eternity’s Gate is Willem Dafoe’s shattering performance: his Vincent is at once lucid, mad, brilliant, helpless, defeated, and, finally, triumphant. With Oscar Isaac as Gauguin, Rupert Friend as Theo, Mathieu Amalric as Dr. Gachet, Emmanuelle Seigner as Madame Ginoux, and Mads Mikkelsen as The Priest.

After being jailed for committing a violent crime, Zain, a mistreated 12-year-old boy, sues his parents for giving him life. Zain’s large family live hand to mouth in a squalid apartment in Lebanon. The kids work instead of going to school. When Zain’s 11 year old sister is sold into marriage, he flees the family home in search of a better life. He is taken in and lovingly cared for by an illegal Ethiopian worker, Rahil, who lives in a shanty house with her baby. But when Rahil disappears, Zain is suddenly left to fend for himself and her baby, resorting to increasingly desperate measures to survive.

Academy Award® nominee Viggo Mortensen (Eastern Promises, The Lord of the Rings trilogy) and Academy Award® winner Mahershala Ali (Moonlight, Hidden Figures) star in Participant Media and DreamWorks Pictures’ Green Book. In his foray into powerfully dramatic work as a feature director, Peter Farrelly helms the film inspired by a true friendship that transcended race, class and the 1962 Mason-Dixon line.

When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger—as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime.

Jim Burke (The Descendants), Charles B. Wessler (The Heartbreak Kid) produce alongside Farrelly’s fellow writers, Brian Currie and Nick Vallelonga, and Farrelly. The drama is executive produced by Participant’s Jeff Skoll (The Help) and Jonathan King (Lincoln), along with Octavia Spencer (Fruitvale Station) and Kwame L. Parker (Kill Bill series), as well as Cinetic Media’s John Sloss (Boyhood) and Steven Farneth. Linda Cardellini (Brokeback Mountain, The Founder) co-stars.

GREENS FUNDRAISER - All welcome!

Academy Award® nominee Viggo Mortensen (Eastern Promises, The Lord of the Rings trilogy) and Academy Award® winner Mahershala Ali (Moonlight, Hidden Figures) star in Participant Media and DreamWorks Pictures’ Green Book. In his foray into powerfully dramatic work as a feature director, Peter Farrelly helms the film inspired by a true friendship that transcended race, class and the 1962 Mason-Dixon line.

When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger—as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime.

Jim Burke (The Descendants), Charles B. Wessler (The Heartbreak Kid) produce alongside Farrelly’s fellow writers, Brian Currie and Nick Vallelonga, and Farrelly. The drama is executive produced by Participant’s Jeff Skoll (The Help) and Jonathan King (Lincoln), along with Octavia Spencer (Fruitvale Station) and Kwame L. Parker (Kill Bill series), as well as Cinetic Media’s John Sloss (Boyhood) and Steven Farneth. Linda Cardellini (Brokeback Mountain, The Founder) co-stars.

Tickets available online:

https://victoria.greens.org.au/cora_moviegreenbook_20190320

HOTEL MUMBAI is based on the true story of the devastating terrorist attack on the Taj Mahal Palace Hotel in 2008. The terrifying assault brings together the guests and staff of the luxurious hotel including wealthy new parents David and Zahra (Armie Hammer and Nazanin Boniadi), Russian businessman Vasili (Jason Issacs) and newly promoted waiter Arjun (Dev Patel) in a desperate fight for survival. This story celebrates humanity, compassion, courage, resilience and the unwavering desire to survive.

Oxfam Fundraiser - All Welcome!

HOTEL MUMBAI is based on the true story of the devastating terrorist attack on the Taj Mahal Palace Hotel in 2008. The terrifying assault brings together the guests and staff of the luxurious hotel including wealthy new parents David and Zahra (Armie Hammer and Nazanin Boniadi), Russian businessman Vasili (Jason Issacs) and newly promoted waiter Arjun (Dev Patel) in a desperate fight for survival. This story celebrates humanity, compassion, courage, resilience and the unwavering desire to survive.

TICKETS AVAILABLE HERE:

https://teambopfundraising.eventbookings.com/events/event-details/fundraiser-event-screening-of-hotel-mumbai

Christmas Island’s famous migrating crabs, lost souls caught in limbo and political detainees intersect in lyrical, highly cinematic fashion in the Tribeca Film Festival Best Documentary award winner.

The tiny Indian Ocean Territory of Christmas Island has been a centre for migrating populations for millennia – first, the distinctive Christmas Island red crabs; then phosphate miners from Malaya in the 19th century; and most recently, people seeking asylum in Australia. It is here, at the nexus of the three, that first-time feature documentarian Gabrielle Brady locates her extraordinary essay, an expansion of her award-winning 2017 short The Island.

As trauma therapist Poh Lin gently coaxes detainees to tell their stories, the island’s willing residents perform "hungry ghost" rituals for spirits whose lack of proper burial has doomed them to wander its jungles for eternity; meanwhile, the crabs march across the land in their millions, in an endless cycle that repeats every year. Poetic and hypnotic, Island of the Hungry Ghosts presents a unique and moving meditation on politics, people and primeval nature.

For the first time at the Met, Anna Netrebko sings the title role of Adriana Lecouvreur, the great real-life 18th-century actress who is adored by many, but who loves only the military hero Maurizio, sung by Piotr Beczała.

Gianandrea Noseda conducts Cilea’s tragedy, directed by Sir David McVicar, with the action partially set in a working replica of a Baroque theater.

The cast also features Anita Rachvelishvili as the Princess of Bouillon, Adriana’s rival for Maurizio’s affections who will stop at nothing to win his love; Ambrogio Maestri as Michonnet, Adriana’s faithful friend; and Carlo Bosi as the duplicitous Abbé.

Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier in whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass Alexander Vinogradov. She has ruined his life, but still Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.

Against the backdrop of the French Revolution, shy and insecure Blanche remains as a novice nun even as her family flees the Reign of Terror, torn between her duty to her convent and fear of the guillotine. Met Music Director Yannick Nézet-Séguin leads an accomplished ensemble in Poulenc’s devastating modern masterpiece of faith and martyrdom. Isabel Leonard is the young Blanche de La Force, opposite Met legend Karita Mattila as the First Prioress.

Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries—Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.

Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena take on the challenging vocal fireworks in Laurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.

Mountainfilm on Tour is back! The 2019 Mountainfilm on Tour features the best short films from the annual Mountainfilm festival in Telluride, Colorado. One word sets Mountainfilm apart from other tours - HEART. Join us for a celebration of adventure, environment and the human spirit.

Mountainfilm is one of the world's best mountain film festivals, featured in the Top 25 Coolest Film Festivals in the World by MovieMaker magazine. The festival has been held in May each year since 1979, with the best films then touring more than 150 locations around the world.

Mountainfilm toured Australia and New Zealand for the first time in 2017 to rave reviews. This year's films feature an awesome mix of short films featuring the likes of climber Alex Honnold, ultra runner Kilian Jornet as well as mountaineering, mountain biking, expedition travel, fly fishing, cultural and environmental stories. This is an event to inspire you to take on the world and experience all it has to offer.

Rob Brydon stars alongside a talented British cast in this comedy that tips its (swimming) cap at beloved British comedies such as The Full Monty and Calendar Girls. Inspired by the Dylan Williams 2010 documentary, Men Who Swim, SWIMMING WITH MEN tells the story of a man (Brydon) who is suffering a mid-life crisis and eventually finds new meaning to his life as part of an all-male, middle-aged, amateur synchronised swimming team. Together they make a bid to compete at the unofficial Male Sync-Swimming World Championships, and no doubt a shot at personal redemption along the way.

FUNDRAISER SCREENING - Special Tickets available via organisers of this event only.

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfil her ambitions and she will not let woman, man, politics or rabbit stand in her way.