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Paris. A shocking death, a determined psychiatrist, and a truth no one else wants to see. When Paula Cohen-Solal (Virginie Efira, Waiting for Bojangles, AF FFF22) is found dead, the authorities rule it a suicide. But her psychiatrist, Lilian Steiner (Jodie Foster in her first major French-language role), refuses to accept it. Convinced that Paula’s husband Simon (Mathieu Amalric, Sink or Swim, AF FFF19) is involved, she decides to investigate on her own – even if it means venturing far beyond her professional limits. With the help of her ex-husband Gabriel (Daniel Auteuil, Love Boat, AF FFF25) and a hypnotist whose sessions trigger unsettling visions, Lilian is plunged into a labyrinth where memory, intuition, and doubt collide. Each vision brings her closer to the truth… or deeper into danger. Jodie Foster delivers a riveting performance worthy of her two Oscars and four Golden Globes, and showcases her sensational linguistic and emotional precision. Directed by Rebecca Zlotowski (Other People’s Children, AF FFF23), the film reimagines the investigative thriller with a bold twist – blending tension, dark humour, and witty couple dynamics within a charged psychological setting. Premiering at the 2025 Cannes Film Festival, this sharp, stylish investigation keeps audiences guessing until the very end. Do not miss it!
CTC
Special filmmaker Q&A event! Beyond Borders Patagonia is an exploration of Chile’s wild frontiers. A journey rooted in Chilean culture, perfect waves, snow-capped peaks and barren deserts. The film follows surfer and filmmaker Jed Fasso alongside a close-knit crew of cinematographers, surfers and snowboarders as they push deep into Patagonia. All chasing a shared dream: to discover a new wave and a hidden mountain in the Andes. With no blueprint and no guarantee of outcome, the journey is a testament to wild adventure, and a reminder that stepping into the unknown can unlock an incredible world of stories, challenges, and a deeper sense of who we are.
MMature themes, coarse language, drug use and nudity
To celebrate the opening of the French Impressionist exhibition Discovering the Impressionists, The Piv has partnered with Geelong Gallery to offer Friends of the Gallery exclusive $10 tickets—available today only. To access this special offer, find your discount code in your Friends of the Gallery email or on the Geelong Gallery website, and enter the code at checkout. Regular-priced tickets remain available for all sessions. Brought together by the unexpected inheritance of an abandoned house in rural Normandy, four cousins discover they share a mysterious family history. In 1895, their ancestor Adèle, then aged 21, leaves her hometown to search for her mother in Paris. She discovers a city on the cusp of modernity, bustling with new-found avant-garde creativity, with the rise of photography and the birth of Impressionist painting. As her descendants retrace her steps, they unravel Adèle’s surprising past. The two timelines of 1895 and 2024 intertwine and collide, confronting the cousins’ contemporary attitudes with life in late 19th century Paris, leaving everyone’s future forever changed.
PG
Join us for a special one-off panel discussion after the film.This is sure to be busy so get in quick! Common Wealth is an intimate yet globally minded documentary that follows filmmaker Kane Guglielmi on a personal journey to question the economic and political systems that shape modern life. Raised within a conservative, capitalist worldview, Guglielmi travels across eight countries, including Switzerland, Australia, Norway, Mexico, Singapore, the UK, Italy and the USA, exploring alternative models that prioritise compassion, fairness, community and shared prosperity. What begins as a search for answers evolves into a thoughtful exploration of how societies might build greater unity and equity in an increasingly divided world. Gentle in spirit yet ambitious in scope, Common Wealth is both a deeply personal story and a hopeful call to reimagine the structures that define how we live together.
MCoarse Language
When Helen's beloved father passes away, she is overtaken by grief and loses herself in memories of their time birding and exploring the natural world together. She becomes obsessed with the idea of training her own goshawk, and so she brings the fearsome bird Mabel home to Cambridge with her. Ready to embark on the arduous process of trying to train the wildest of animals, Helen fills the freezer with hawk food and turns off her phone. But as she labors to teach Mabel how to hunt and fly free on her own, Helen uncovers how neglected her own emotions and life have become. Based on a true story and a memoir of the same name, H IS FOR HAWK is a soaring journey of the connection between people and nature, and how it might be possible to reconcile loss through love.
MMature themes and coarse language
So nice we get to play it twice! Join us for an encore screening after the hugely successful sold-out Q&A. A group of students and teachers from The Delhi College of Linguistics hit the road to discover Australia and gain first-hand experience of its authentic language and culture. When their plane is diverted to the country town of Dubbo due to storms, and their tour-leader is detained by customs, the hapless bunch unearth the 'real' Australia while never making it to Sydney, Melbourne...or even Brisbane.
CTC
BAFTA Award-winner Lesley Manville (Phantom Thread) joins Aidan Turner (Rivals) in a striking new staging of Christopher Hampton’s celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin. Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path. Filmed live on stage at the National Theatre, Marianne Elliott (Angels in America) directs this thrilling game of love, lies, and social warfare.
CTC
Nicola Coughlan (Bridgerton) joins Éanna Hardwicke (The Sixth Commandment) and Siobhán McSweeney (Derry Girls) in John Millington Synge’s riveting play of youth and self-discovery. Pegeen Flaherty’s life is turned upside down when a young man walks into her pub claiming that he’s killed his father. Instead of being shunned, the killer becomes a local hero and begins to win hearts, that is until a second man unexpectedly arrives on the scene… Filmed live on stage at the National Theatre, Caitríona McLaughlin directs this darkly funny tale full to the brim with secrets.
M Mature themes and coarse language
In 18th century Venice, 20-year-old violin virtuoso Cecilia lives at the Pièta orphanage, where, despite her talent, she remains confined, knowing that marriage is the only way out. Yet, her life takes a turn after she meets Antonio Vivaldi, a brilliant and ambitious composer who becomes the new violin teacher. Guided by Vivaldi and his music, Cecilia finds the strength to challenge the destiny that once seemed inevitable.
MA15+Strong nudity, suicide scenes and references to sexual violence
A remote German farm harbours generations of secrets. Four women, separated by decades but united by trauma, uncover the truth behind its weathered walls.
MA15+Strong coarse language
The children of a once famous artist (Ian McKellen) hire a forger (Michaela Coel) to complete some unfinished, long ago abandoned canvases so they’ll have an inheritance when he dies.
MA15+Strong coarse language
Babes In Arms session. Still open to the public, but parents can attend with their babies. The children of a once famous artist (Ian McKellen) hire a forger (Michaela Coel) to complete some unfinished, long ago abandoned canvases so they’ll have an inheritance when he dies.
MCoarse language
Almost twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film. “The Devil Wears Prada 2” is produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and McKenna. The film debuts exclusively in cinemas April 30, 2026.
CTCStrong coarse language and sexual references
A middle-aged couple who are feeling stagnant in their relationship invite the younger and livelier couple from the apartment upstairs for a get-together that takes an unexpected turn.
MCoarse language
Two old friends are walking 600 kilometers through the Scottish highlands, to reconnect with each other, with nature and with parts of themselves they have lost.
CTCVery mild bullying themes and violence
The toys are back and this time, Buzz Lightyear, Woody, Jessie and the rest of the gang's jobs are challenged when they come face-to-face with Lilypad (voice of Greta Lee), a brand-new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie. Will playtime ever be the same?
MA15+Strong coarse language
A gifted piano tuner’s meticulous skills for tuning pianos lead him to discover an unexpected aptitude for cracking safes, turning his life upside down.
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Back by popular demand! Sure to sell out! Join us for a Q&A screening with people involved in the journey of We Are Not Powerless. Ten years ago Muzafar Ali and his wife Nagina escaped the Taliban in Afghanistan and found themselves living in Indonesia as refugees when Australia ‘stopped the boats’. Determined to do something, they started a small two room school, which soon became the hub of a community, and the most successful refugee-led initiative in the world. We Are Not Powerless tells the story of what can happen when a community refuses to give in and work together for hope, love, and education.