MCoarse language and drug use
A writer tries to reconnect with his sons. Based on the novel by David Gilbert.
MMature themes, coarse language, drug use and nudity
Brought together by the unexpected inheritance of an abandoned house in rural Normandy, four cousins discover they share a mysterious family history. In 1895, their ancestor Adèle, then aged 21, leaves her hometown to search for her mother in Paris. She discovers a city on the cusp of modernity, bustling with new-found avant-garde creativity, with the rise of photography and the birth of Impressionist painting. As her descendants retrace her steps, they unravel Adèle’s surprising past. The two timelines of 1895 and 2024 intertwine and collide, confronting the cousins’ contemporary attitudes with life in late 19th century Paris, leaving everyone’s future forever changed.
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Sparkling, dizzying, and deliciously potent, Fallen Angels, Noël Coward’s champagne-fresh comedy of bad manners, shocked and delighted audiences at its 1925 premiere. Two upper-class wives, their husbands away for the day, share a few toasts to their pre-marital dalliances—with the same man, who just may be en route from France to visit. Old rivalries and past scandals bubble to the surface in this intoxicating romp from one of theatre’s comedy masters. Starring Golden Globe-winner Rose Byrne (If I Had Legs I’d Kick You) and Tony Award winner Kelli O’Hara (The King and I), with Tracee Chimo, Mark Consuelos (making his Broadway debut), Christopher Fitzgerald and Aasif Mandvi, this new Roundabout Theatre and Tony Award-winning production of ‘pure escapist fun’ (The New York Times) was filmed live on stage at Broadway’s Todd Haimes Theatre and now comes to the big screen.
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GIANT, the 5-star critically acclaimed play starring John Lithgow (Killers of the Flower Moon, The Crown) as Roald Dahl, comes to the big screen. Winner of 3 Olivier Awards® including Best Play and a Tony Award® for Best Actor in a Play (John Lithgow), the production was filmed live in London’s West End ahead of its sold-out Broadway run. The stellar cast includes Aya Cash (The Boys, The Franchise, You’re the Worst), Elliot Levey (Cold War, Patriots, Good) and Rachael Stirling (The Divine Mrs S). A world-famous children’s author under threat. A battle of wills in the wake of scandal. And one chance to make amends...It’s the summer of 1983, The Witches is about to hit the shelves and Roald Dahl is making last-minute edits. But the outcry at his recent, explicitly antisemitic article won’t die down. Across a single afternoon at his family home, and rocked by an unexpectedly explosive confrontation, Dahl is forced to choose: make a public apology or risk his name and reputation. Inspired by real events, GIANT explores with dark humour the difference between considered opinion and dangerous rhetoric offering a complicated portrait of a fiendishly charismatic icon.
CTC
Professional climber Emily Harrington has summited Everest, 8000-meter peaks, and dominated the competition circuit but, her greatest challenge extends beyond the physical. To cement her legacy in the male dominated world of elite rock climbing, she sets her sights on a career-defining 24-hour ascent of Yosemite’s El Capitan. Caught between the pursuit of personal ambition and the ticking biological clock of life, a near-fatal fall forces Emily to reckon with what she’s willing to risk. Equal parts gripping survival story and intimate portrait, Girl Climber isn’t just about breaking records, it’s about breaking barriers. Amongst Yosemite’s legendary boy’s club, Emily isn’t proving she is the best *Girl Climber-- she's proving she is one of the best. Period.
PGMild themes, coarse language and drug use
In 1970s New Zealand, young Brian is devastated by the loss of his mother and determined to stop his dad from marrying the woman he sees as her replacement. Convinced he can reach his mother through prayer and penance, Brian finds refuge at a run-down convent with three delightfully eccentric elderly nuns. But when he overhears plans to shut the convent down and split the sisters apart, sending the most vulnerable to a terrifying institution, Brian sparks an unlikely mission: escape to the Southern Alps to find a former nun-turned-lawyer who might just save them all. For Brian, it’s more than a legal battle—he believes this is the miracle he’s been praying for, a chance to reunite with his mother atop the sacred mountain, Aoraki. What follows is a wild, hilarious, and heartwarming road trip as a boy and three nuns face down their fears, outwit crooked officials, lose a sister to fishmongers, and even cash a bet shop win, all while racing against time to save their beloved convent. With its soul firmly planted in faith, family, and fierce loyalty, Holy Days is a joyful comedy packed with heart, humour, and high-speed hijinks. It’s a story about letting go, holding on, and finding home in the most unexpected places.
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The Met: Live in HD season kicks off with Mozart’s satirical comedy of fickle young love, one of the composer’s most sublime creations. Phelim McDermott’s “colorful, inventive” (The New York Times) staging, inspired by Coney Island in the 1950s, sets the uproarious story at a boardwalk amusement park, where the two pairs of lovers at the heart of the tale find themselves on one emotional—and literal—thrill ride after another. Soprano Federica Lombardi and mezzo-soprano Samantha Hankey sing Fiordiligi and Dorabella, opposite tenor Duke Kim and baritone Andrey Zhilikhovsky as Ferrando and Guglielmo. Bass-baritone Gerald Finley stars as the cynical Don Alfonso, with soprano Ana María Martínez as the witty maid Despina.
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Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Vida Miknevičiūtė makes an important Met debut as the larger-than-life Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver rough justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures.
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Two of opera’s most extraordinary artists star in Verdi’s thrilling take on Shakespeare’s immortal tale. Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both. Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo
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Following her radiant turn in Gounod’s Roméo et Juliette—which garnered raves for “high notes that spun like liquid gold … Sierra touched the operatic firmament” (The New York Times)—superstar soprano Nadine Sierra takes on another alluring French heroine, the irresistible title character of Massenet’s passionate drama. Leading tenor Matthew Polenzani is her idealistic lover, the Chevalier des Grieux, with rising-star baritone Andrzej Filończyk as her stalwart cousin, Lescaut, in a breathtaking Belle Époque staging by director Laurent Pelly.
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One of today’s leading dramatic tenors, Brian Jagde takes on the tour-de-force title role of what many consider the ultimate Italian opera, live to cinemas worldwide. Verdi’s monumental Shakespearean tragedy also features soprano Ailyn Pérez in her company role debut as the long-suffering Desdemona, alongside baritone Artur Ruciński as the sinister Iago. Michele Mariotti leads the full forces of the Met Orchestra and Chorus in the exhilarating score.
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A profound philosophical meditation on compassion and reconciliation, this transcendent rendering of a medieval knight’s heroic quest for the Holy Grail returns in François Girard’s celebrated production, a “thoughtful and intrepid staging, full of striking imagery” (The New York Times). Met Music Director Yannick Nézet-Séguin conducts a cast of Wagnerian superstars, including tenor Piotr Beczała in the title role, mezzo-soprano Elīna Garanča as the enigmatic Kundry, baritone Peter Mattei as the ailing Amfortas, bass-baritone Ryan Speedo Green as the sorcerer Klingsor, and bass Jongmin Park as the wise Gurnemanz.
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Sacred, scandalous, and irresistibly alluring, Saint-Saëns’s spectacular take on the biblical hero of legendary strength and the seductive Philistine whose beauty overpowers him returns in the Met’s larger-than-life production. Featuring a massive orchestra and chorus and some of opera’s most spellbinding tunes, this masterpiece of French grand opera is a feast for the eyes and ears. Giacomo Sagripanti conducts an electrifying cast led by the formidable star pairing of mezzo-soprano Aigul Akhmetshina and tenor Clay Hilley.
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Following his smash-hit company debut with The Hours, composer Kevin Puts returns to the Met with his Pulitzer Prize–winning first opera, inspired by the true events of the 1914 Christmas truce, when soldiers spontaneously set aside the horrors of the First World War and crossed the trenches to mingle, exchange gifts, and sing carols with the enemy. A poignant depiction of shared humanity in the most inhumane circumstances, Puts’s grand, cinematic opera—with a libretto by Mark Campbell based on the film Joyeux Noël—has been widely acclaimed since its 2011 premiere, hailed as “an overwhelming emotive experience” by The Guardian. Silent Night receives an evocative staging by James Robinson that takes the audience directly to the battlefields of the Western Front. The star-studded cast, featuring soprano Elza van den Heever and tenors Ben Bliss and Rolando Villazón, among many others, is conducted by debuting maestro Dalia Stasevska.
E
Josh O’Connor (The Crown; Challengers) leads the cast in this searing revival of Clifford Odets’ knockout American classic. 1930s New York, at the height of the Depression. Joe Bonaparte is a gifted young violinist with a future in music, until a chance at fame and fortune lures him into the brutal world of professional boxing. He must confront what he’s willing to sacrifice, who he’s willing to become and how to find his place in a world that demands he choose a side. Brought to life with a live string quartet and filmed live from the Almeida Theatre. Olivier Award-winner Sam Yates (Vanya) directs this propulsive drama exploring ambition, identity, and the high price of success.
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Award-winner Sandra Oh (Killing Eve) plays the title role in this razor-sharp reimagining of Molière’s classic dark comedy. Telling the truth isn’t always that simple. Alice, a brilliant novelist, despises the carefully constructed lies of modern society. But the more she challenges those around her, the fiercer the backlash becomes. Soon, she must confront the price of speaking her truth in a world that would rather silence her. Filmed live on stage at the National Theatre, Indhu Rubasingham directs Martin Crimp’s (Cyrano de Bergerac) highly anticipated play.
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Starring Sandra Bullock and Nicole Kidman, Practical Magic 2 returns to a world steeped in moonlit mischief and powerful ancestral magic, as the Owens sisters must confront the dark curse that threatens to unravel their family once and for all in a must-see cinematic event of fun, magic and mayhem.
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SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM sees the residents of Mossy Bottom Farm looking forward to Halloween – until the clumsy Farmer trashes the Flock’s beloved pumpkin patch! When Shaun turns MAD SCIENTIST to fix the problem, things rapidly spiral out of control... With The Farmer missing and a wild beast roaming the woods of Mossingham, all the ingredients are in place for a monstrously fun family adventure.
CTC
Join us for a special Father's Day PREVIEW screening of SHAUN THE SHEEP: THE BEAST OF MOSSY BOTTOM The residents of Mossy Bottom Farm are looking forward to Halloween – until the clumsy Farmer trashes the Flock’s beloved pumpkin patch! When Shaun turns MAD SCIENTIST to fix the problem, things rapidly spiral out of control... With The Farmer missing and a wild beast roaming the woods of Mossingham, all the ingredients are in place for a monstrously fun family adventure.
MCrude humour, sexual references and coarse language
Best friends Tess (Ginger Minj) and DeeDee (Jujubee) are train stewardesses who trade their dreary shifts on Stank Rail for the glitzy Glamazonian Express. When a catastrophic “Stormaganza” threatens to derail the high-speed train and crash it into Florida, the duo must join forces with the snobby first-class attendants and President Gagwell (RuPaul) to save the day in this wild ride of camp and comedy.
MCrude humour, sexual references and coarse language
Babes in Arms session, open to general public but there may be babies in the audience. Best friends Tess (Ginger Minj) and DeeDee (Jujubee) are train stewardesses who trade their dreary shifts on Stank Rail for the glitzy Glamazonian Express. When a catastrophic “Stormaganza” threatens to derail the high-speed train and crash it into Florida, the duo must join forces with the snobby first-class attendants and President Gagwell (RuPaul) to save the day in this wild ride of camp and comedy.
MA15+Strong blood and gore and violence
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection. But when she visits the original movie’s star (Gillian Anderson, The X-Files, Sex Education), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
PGMild themes and coarse language
This music-packed documentary tells the story of Pene Pati and his brother Amitai Pati, and their against-the-odds journey from Samoa to platinum-selling success in the trio Sol3 Mio and on to the world’s greatest opera stages. Bursting with humour, heart and soaring performances, the film reveals the resilience born of adversity, the richness of family and culture, and the rewards that come from following an unlikely dream.
MMature themes and drug use
To maximize economic productivity, the government orders the elderly to relocate to distant housing colonies. Tereza, 77, refuses-instead embarking on a journey through the Amazon that will change her destiny forever.
R18+High impact themes
Brought up in an environment torn apart by violence and alcohol, Lidia Yuknavitch seemed destined for self-destruction and failure until words offered her unexpected freedom in the form of literature. The Chronology of Water, adapted from Yuknavitch’s autobiographical bestseller, follows Lidia’s journey to find her own voice in an exploration of how trauma can be transformed into art through re-possessing our own bloody histories, particularly those uniquely experienced by the bodies of women and girls.
MA15+Strong sexual references and sexualised imagery
Captures a year in the life of a family as the parents navigate their separation. Through intimate vignettes and strange occurrences, the film explores the complexities of family, love, and the impact of shared memories.
CTCMature themes, violence and coarse language
Christopher Nolan’s next film, The Odyssey, is a mythic action epic shot across the world using brand new IMAX® film technology. The film brings Homer’s foundational saga to IMAX® film screens for the first time and opens in cinemas everywhere on July 16, 2026. The Odyssey stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson and Lupita Nyong’o, with Zendaya and Charlize Theron. The Odyssey is produced by Emma Thomas and Christopher Nolan for their company, Syncopy. The executive producer is Thomas Hayslip.
MA15+Strong coarse language and drug use
A 19-year-old Anthony Bourdain travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.