The never-before-seen music documentary capturing Queen of Soul ARETHA FRANKLIN, as she records the most successful gospel album of all time, AMAZING GRACE with James Cleveland and the Southern California Community Choir. Recorded at The New Bethel Baptist Church in Watts, Los Angeles in January 1972. AMAZING GRACE is crafted from never-before-seen footage that captures an elegiac moment in American musical history whilst saluting the get-up-on-your-feet gospel heritage that transformed American music in the 1960s.

Laura and Tyler are soulmates. Thirty-something best friends and revellers residing in Dublin, they are ingrained in the fabric of each other’s lives; dating, partying, drinking and living their life without limitations. American ex-pat, Tyler – a siren of drugs, alcohol and debauchery – lures aspiring writer, Laura, away from her long overdue novel as well as her new beau, the irresistibly handsome Jim. A tee-total classical pianist, Jim is the antithesis of Tyler and the world she and Laura inhabit, and with his presence the girls’ hedonistic double act finds itself in jeopardy. While Tyler wants to keep the party going, Laura, buoyed by Jim’s restraint and stability, starts to emerge from her years of partying, searching for her place in the world. Caught between desires – youth and adulthood, her old self and her future self – Laura impulsively gets engaged to Jim, knocking Tyler for a loop. Bereft at the thought of losing of her partner in crime, Tyler spies a chance to rock the boat of the “perfect” life Laura can see on the horizon, but in doing so inadvertently helps Laura find a new unexpected path to independence. At once both a celebration of female friendship and an examination the choices we make when facing a crossroad, ANIMALS is an honest, funny, edgy, unconventional and bittersweet snapshot of modern women.

Based on remarkable true events, the multi award-winning new crime thriller from internationally-heralded writer/director Matteo Garrone (Gomorrah, Tale of Tales) is the compelling story of a gentle family man pushed to protect what he loves.

In a dilapidated Neapolitan suburb, the pint-sized, mild-mannered Marcello (Marcello Fonte) runs the dog-grooming business of the film’s title, caring for the neighbourhood pooches, and raising his young daughter, Alida, for whom he’d do anything to spoil. But he’s domineered by one of his customers, Simone (Edoardo Pesce), a petty criminal and former boxer who throws his substantial bulk around this tight-knit community at every opportunity. Marcello soon becomes swept up in a criminal plan he wants nothing to do with…

Meticulously directed and photographed, and entirely sympathetic to its four-legged cast-members (none of whom are harmed), Garrone’s bravura urban noir is also impeccably acted, with Marcello Fonte’s extraordinary performance highly deserving of the Best Actor prizes at both Cannes and the European Film Awards. Inspired by a true story that drew national headlines, and gripping from start to finish, it’s another electrifying big-screen experience from one of Italy’s finest contemporary filmmakers.

Handel’s tale of intrigue and impropriety in ancient Rome receives its first Met performances, with star mezzo-soprano Joyce DiDonato as the controlling, power-hungry Agrippina and Harry Bicket conducting. Sir David McVicar’s production ingeniously reframes the action of this black comedy about the abuse of power to “the present,” where it should loudly resonate. The all-star cast features mezzo-soprano Kate Lindsey as Agrippina’s son and future emperor Nerone, soprano Brenda Rae as the seductive Poppea, countertenor Iestyn Davies as the ambitious officer Ottone, and bass Matthew Rose as the weary emperor Claudius.

Director Phelim McDermott tackles another one of Philip Glass’s masterpieces, following the now-legendary Met staging of Satyagraha. Star countertenor Anthony Roth Costanzo is the title pharaoh, the revolutionary ruler who transformed ancient Egypt, with the striking mezzo-soprano J’Nai Bridges in her Met debut as his wife, Nefertiti. To match the opera’s hypnotic, ritualistic music, McDermott has created an arresting vision that includes a virtuosic company of acrobats and jugglers. Karen Kamensek conducts in her Met debut.

The great bass-baritone Sir Bryn Terfel returns to the company for the first time since 2012, in the title role of the cursed sea captain doomed to sail the open ocean for eternity. Valery Gergiev conducts a new production by François Girard, whose visionary 2013 take on Parsifal set the recent Met standard for Wagner stagings. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. The gifted German soprano Anja Kampe, in her Met debut, is the devoted Senta, whose selfless love is what the Dutchman seeks, with bass Franz-Josef Selig as her father, Daland, and tenor Sergey Skorokhodov as her deserted former lover, Erik.

Leading sopranos Hui He and Ana María Martínez share the heartbreaking title role of the doomed geisha, with tenors Piero Pretti and Andrea Carè as the American naval officer who abandons her. The great Plácido Domingo makes his role debut as Sharpless, alternating with Paulo Szot and Markus Brück. Pier Giorgio Morandi is on the podium for Anthony Minghella’s sweeping production, a perennial audience favorite.

Exhilarating soprano Lisette Oropesa stars as the irresistible title character, the tragic beauty who yearns for the finer things in life, in Laurent Pelly’s revealing production. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves their undoing. Maurizio Benini conducts Massenet’s sensual score.

Soprano Diana Damrau, following her triumph as Violetta in last season’s new production of Verdi’s La Traviata, stars as the martyred Mary, Queen of Scots, in Donizetti’s bel canto showcase. Star mezzo-soprano Jamie Barton is her imperious rival Queen Elizabeth I, and the silken-voiced tenor Stephen Costello is the noble Earl of Leicester. Maurizio Benini conducts Sir David McVicar’s handsome production.

One of America’s favorite operas returns to the Met for the first time in nearly 30 years. James Robinson’s stylish production transports audiences to Catfish Row on the Charleston waterfront, vibrant with the music, dancing, emotion, and heartbreak of its inhabitants. “If you’re going to stage Gershwin’s opera, this is how,” raved the Guardian when the new production premiered in London in 2018. David Robertson conducts a dynamic cast, featuring the sympathetic duo of Eric Owens and Angel Blue in the title roles and an all-star ensemble that includes Golda Schultz, Latonia Moore, Denyce Graves, Frederick Ballentine, Alfred Walker, and Ryan Speedo Green.

Soprano Anna Netrebko, whom the New York Times hailed as “magnificent” when she made her role debut as Tosca in 2018, returns as Puccini’s explosive diva, back by popular demand. Tenors Najmiddin Mavlyanov and Brian Jagde alternate as the idealistic painter Cavaradossi, and baritones George Gagnidze and Michael Volle complete the opera’s fatal love triangle as the sinister Scarpia. Bertrand de Billy conducts Sir David McVicar’s stunning production.

Two of opera’s most thrilling dramatic sopranos, Christine Goerke and Nina Stemme, reprise their fierce portrayals of the title princess. Yannick Nézet-Séguin takes the podium to conduct Franco Zeffirelli’s dazzling production of Puccini’s final masterpiece, which also features tenors Roberto Aronica and Marco Berti as Calàf, sopranos Eleonora Buratto and Hibla Gerzmava as Liù, and bass-baritones James Morris and Nicolas Testé as Timur.

After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary visual imagination on Berg’s other operatic masterpiece, set in an apocalyptic pre–World War I environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, with baritone Peter Mattei making his highly anticipated role debut as the title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

Quentin Tarantino’s Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

The Australian Dream is a documentary that uses the remarkable and inspirational story of Indigenous AFL legend Adam Goodes as the prism through which to tell a deep and powerful story about race, identity and belonging. For the first time Adam reveals his profoundly emotional journey in his own words, and asks fundamental questions about the nature of racism and discrimination in society today. Walkley award-winning writer Stan Grant and BAFTA award-winning director Daniel Gordon join forces to tell this remarkable story of one of the most decorated & celebrated players in AFL history. A man who remains a cultural hero; the very epitome of resilience & survival, who continues to fight for equality and reconciliation.

In this funny, uplifting tale based on an actual lie, Chinese-born, U.S.-raised Billi (Awkwafina) reluctantly returns to Changchun to find that, although the whole family knows their beloved matriarch, Nai-Nai, has been given mere weeks to live, everyone has decided not to tell Nai Nai herself. To assure her happiness, they gather under the joyful guise of an expedited wedding, uniting family members scattered among new homes abroad. As Billi navigates a minefield of family expectations and proprieties, she finds there’s a lot to celebrate: a chance to rediscover the country she left as a child, her grandmother’s wondrous spirit, and the ties that keep on binding even when so much goes unspoken. With The Farewell, writer/director Lulu Wang has created a heartfelt celebration of both the way we perform family and the way we live it, masterfully interweaving a gently humorous depiction of the good lie in action with a richly moving story of how family can unite and strengthen us, often in spite of ourselves.

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In this funny, uplifting tale based on an actual lie, Chinese-born, U.S.-raised Billi (Awkwafina) reluctantly returns to Changchun to find that, although the whole family knows their beloved matriarch, Nai-Nai, has been given mere weeks to live, everyone has decided not to tell Nai Nai herself. To assure her happiness, they gather under the joyful guise of an expedited wedding, uniting family members scattered among new homes abroad. As Billi navigates a minefield of family expectations and proprieties, she finds there’s a lot to celebrate: a chance to rediscover the country she left as a child, her grandmother’s wondrous spirit, and the ties that keep on binding even when so much goes unspoken. With The Farewell, writer/director Lulu Wang has created a heartfelt celebration of both the way we perform family and the way we live it, masterfully interweaving a gently humorous depiction of the good lie in action with a richly moving story of how family can unite and strengthen us, often in spite of ourselves.

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