PGViolence & coarse language
Eleanor the Great features a bravura performance from June Squibb in the title role of the spirited 94-year-old who tells a tale that takes on a dangerous life of its own. Eleanor Morgenstein has always stayed engaged and connected to the people around her. So, after a devastating loss, she relocates from Florida to New York City to live with her daughter and grandson, hoping to reconnect with her family. Instead, she feels even more adrift and invisible. One day she unknowingly wanders into a support group where she doesn’t quite belong, only to reveal a story that unwittingly brings her a level of attention she did not intend. Eleanor finds herself caught up in the enlivening consequences as a young journalism student pursues her as a friend and mentor. When things go too far, Eleanor must confront the truth. In her directorial debut, Scarlett Johansson brings together themes of aging, family, loss and what constitutes deceit, as this story of friendship and history turns into a profound tale of complicated humanity.
MOffensive language, sexual references & drug use
A well-meaning but rather inept angel named Gabriel meddles in the lives of a struggling gig worker and a wealthy venture capitalist.
MOffensive Language
Three-time Emmy nominee Melanie Lynskey (YELLOW JACKETS, THE LAST OF US) and acclaimed NZ actress Robyn Malcolm (TOP OF THE LAKE, AFTER THE PARTY) star as Anna Osborne and Sonya Rockhouse; two ordinary women who together stand up and take on the government, justice system and a company that will stop at nothing to protect itself, after the 2010 Pike River Mine explosion takes the lives of 29 men underground. This is a film about the powerless vs. the powerful, of people vs. money, of right vs. wrong. An inspiring true story of an incredible female friendship and together what is possible when you simply won’t give up.
MOffensive language
In August 2017, in the lead-up to national elections, Jacinda Ardern unexpectedly became New Zealand’s opposition party leader. She had just turned 37. Two frenetic months later, she was Prime Minister. Just before the final vote was in, she discovered she was pregnant. She would become only the second head of state in history to give birth while in office. Ardern quickly became one of the most recognizable leaders in the world. She drew global attention from people craving a sensitive and compassionate approach to the critical issues of our time. In private, she struggled with being a mother and proving herself to a public skeptical of women’s leadership. A series of crises - the Christchurch massacre, pandemic lockdowns, and disinformation-fueled protests outside Parliament - would test that leadership and the feminine touch she brought to it. She resigned from office in January 2023, shocking her supporters and critics alike. Going behind the scenes of her administration and her private life, PRIME MINISTER follows Jacinda for seven years as she is catapulted to the top of New Zealand politics, becomes a feminist political icon, resigns suddenly from office and continues to champion the fight against isolationism, fear, and the distortion of truth. Intimate home footage shot by her husband and audio interviews that Jacinda did while in office give us unparalleled access. Along with in-depth contemporaneous interviews, these form the emotional backbone of the story, giving viewers an unfiltered window into her years in power. The world is at a perilous political crossroads. Trust in institutions, expertise, and liberal democracy itself are under dire strain. Which direction will we go? PRIME MINISTER leaves viewers wondering what the world might be like with more Jacindas at the helm.
TBC
Centers on the strained relationship between young mother Morgan Grant and her teenage daughter Clara, exacerbated by Morgan's husband Chris's tragic death, forcing them to navigate life's challenges together.
MSex scenes, offensive language & nudity.
Based on an unbelievable true story, Roofman follows Jeffrey Manchester (Channing Tatum), a former Army Ranger and struggling father who turns to robbing McDonald’s restaurants by cutting holes in their roofs, earning him the nickname: Roofman. After escaping prison, he secretly lives inside a Toys “R” Us for six months, surviving undetected while planning his next move. But when he falls for Leigh (Kirsten Dunst), a divorced mom drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in.
MMental health themes, coarse language and a sex scene
From 20th Century Studios, “Springsteen: Deliver Me from Nowhere” chronicles the making of Bruce Springsteen’s 1982 “Nebraska” album when he was a young musician on the cusp of global superstardom, struggling to reconcile the pressures of success with the ghosts of his past. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album marked a pivotal time in his life and is considered one of his most enduring works—a raw, haunted acoustic record populated by lost souls searching for a reason to believe. Starring Jeremy Allen White as the Boss, the film is written for the screen and directed by Scott Cooper based on the book “Deliver Me from Nowhere” by Warren Zanes. “Springsteen: Deliver Me from Nowhere” also features Jeremy Strong as Springsteen’s long-time confidant and manager, Jon Landau; Paul Walter Hauser as guitar tech Mike Batlan; Stephen Graham as Springsteen’s father, Doug; Odessa Young as love interest, Faye; Gaby Hoffman as Springsteen’s mom, Adele; Marc Maron as Chuck Plotkin; and David Krumholtz as Columbia executive, Al Teller. Arriving only in cinemas October 23, 2025, the film is produced by Cooper, Ellen Goldsmith-Vein, Eric Robinson and Scott Stuber. Tracey Landon, Jon Vein, and Zanes executive produce.
R16Domestic violence, sex scenes & deals with suicide
From the producers of Talk to Me, Bring Her Back and forthcoming Pike River comes a stunning ghost story shot in the wilds of Canterbury. Abandoned as a child, Jack (Dacre Montgomery) travels to remote New Zealand to attend the funeral of his estranged mother Elizabeth. There he meets her widow Jill (Vicky Krieps), who has questions of her own. Over the nights that follow, Elizabeth returns and possesses Jack and Jill, using each of their bodies to speak to the other. As the learn that Elizabeth is trapped in limbo, Jack begins to doubt her reason for returning. Caught in a life-threatening nocturnal dance where Elizabeth is trapped in limbo, Jack and Jill must find a way to let go of Elizabeth’s hold before she pushes them to the edge.